Best Landscape Lenses for Sony a7C, a7C II, a7CR


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Are you looking for the best landscape lenses for Sony a7C? Here is the Guide for you to get the top-recommended E-mount landscape lenses.

The List of Best Sony a7C Landscape Lenses

Sony FE 12-24mm f/2.8 GM
The Sony FE 12-24mm f/2.8 GM lens is a wide-angle zoom lens for full-frame Sony E-mount cameras.
Sony FE 20mm F1.8 G
The Sony FE 20mm F1.8 G lens is a fast prime lens designed for full-frame Sony E-mount cameras.
Sony FE 24-105mm F4
Tamron 28-75mm F/2.8
Sigma 24-70mm F2.8

The Sony a7C combines the quality and advantages of a full-frame sensor with an unusually compact and slim body design, making it the world’s smallest and lightest full-frame camera. In addition, the Sony a7C features a 24.2MP Exmor R BSI CMOS sensor with hybrid capabilities to suit photo and video recording needs and a form factor for everyday, all-day carry.

Features include an impressive ISO range of ISO 50 to 204800, 15-stop dynamic range, up to 10 fps continuous shooting with full-time AF/AE, and UHD 4K video recording at up to 30 fps with HLG & S-Log3 Gammas; in addition, the Sony a7C’s 693-point focal-plane phase-detection AF system covers approximately 93 percent of the image area, with an additional 425 contrast-detection points to ensure reliable focus even in busy environments, providing comprehensive, fast, and reliable AF that locks onto the intended subject instantly without losing focus.

Best Landscape Lenses for Sony a7C [Buying Guide]

  1. Consider your budget: Landscape lenses come at different prices, so it’s essential to consider your budget before purchasing. Some high-end lenses can be expensive, while budget-friendly options may have limitations regarding image quality and features.
  2. Choose the right focal length: A wide-angle lens is usually the best choice for landscape photography. A focal length of around 16mm to 35mm is ideal, but you can also consider ultra-wide-angle lenses that go as wide as 14mm or even more comprehensive.
  3. Look for a fast aperture: A fast aperture of f/2.8 or wider can be helpful for landscape photography, as it allows you to capture more light and create a shallow depth of field. However, a slower aperture, such as f/4 or f/5.6, can also be sufficient for most landscape photography situations.
  4. Consider the lens weight and size: Landscape photography often requires carrying your gear for long distances, so choosing a lightweight and compact lens is essential. On the other hand, a too-heavy or bulky lens can become a burden when hiking to remote locations.
  5. Check for image stabilization: Image stabilization can be helpful when shooting handheld in low light or when a tripod is impractical. However, image stabilization may not be as important if you plan to use a tripod for most of your landscape shots.
  6. Research lens reviews and samples: Before purchasing, read reviews and look for sample images taken with the lens you are considering. This can give you a better idea of the lens’ image quality and performance.

Some good lens options for landscape photography for the Sony a7C

  • Sony FE 16-35mm f/2.8 GM lens
  • Tamron 17-28mm f/2.8 Di III RXD lens
  • Sony FE 12-24mm f/4 G lens

1. Sony FE 16-35mm f/2.8 GM Lens

This is the Sony a7C lens I would choose if I could only have one for landscape photography. The FE 16-35 is the Sony ultra-wide-angle zoom lens you’ve been looking for, and it’s a terrific choice for a wide range of applications. The image quality it generates is outstanding addition; the lens is well-made and comes with weatherproofing. The f/2.8 aperture will also come in handy while photographing the night sky.

A great, fast, and versatile wide-angle zoom lens! This Sony FE 16-35mm f2.8 GM lens delivers consistent excellent resolution from corner to corner, with stunning background bokeh that may give depth and artistic impact to your photographs when required, regardless of a zoom setting or focus distancFurthermore, within a constant f/2.8 maximum aperture across the zoom range, this lens provides consistent performance and benefits in low-light situations.

The optical design uses two extra-low dispersion elements, two XA elements, and three aspherical elements to eliminate chromatic aberrations and provide high image sharpness and clarity. In addition, when working in bright lighting, a Nano AR coating has been applied to reduce ghosting and lens flare for improved contrast and color fidelity.

This lens features an 11-blade circular diaphragm to generate smooth, soft-edged bokeh with a selective focus picture, complementing the optical attributes. In addition, two Direct Drive SSM AF groups are used to manage focus, and they are quick and quiet and provide more responsive control for manual focus operation. These characteristics make it an excellent landscape lens for Sony a7C, architecture, close-up portraits, sports, action, and other subjects.

2. Tamron 17-28mm f/2.8 Di III RXD Lens

The Tamron 17-28 Di III lens offers professional-grade image quality in a compact, lightweight design at a very affordable price. Apart from switches, this lens has very few flaws. The focal length range isn’t the widest or the longest in the class, but it pairs well with the Tamron 28-75mm f/2.8 Di III RXD Lens, another excellent budget lens.

The Tamron 17-28mm F/2.8 Di III RXD (Model A046) is the smallest and lightest zoom lens in its class, offering exceptional portability and image quality. This Tamron 17-28mm f/2.8 Di III RXD lens covers ultra-wide to wide focal lengths, making it an ideal Sony a7C lens for landscape, astrophotography, and architectural photography. When used with a full-frame mirrorless camera, its exceptional lightweight and small dimensions create outstanding balance, making it comfortable to carry and allowing it to cater to a wide range of settings and shooting conditions.

Throughout the zoom range, the Model A046 has a fast F/2.8 aperture, producing high resolution and contrast from edge to edge addition, the ultra-wide-angle focal length, fast constant F/2.8 aperture, and 7.5-inch Minimum Object Distance at the wide-angle end inspire richly expressive and creative photography in various situations.

The RXD (Rapid eXtra-silent stepping Drive) stepping motor unit powers the Tamron 17-28mm F/2.8’s AF drive system, producing high-speed, high-precision, and hushed operation appropriate for both video and still photography.

As a result, this Tamron 17-28mm F/2.8 Di III RXD Lens for Sony E mount is an excellent lens for landscapes, architecture, close-up portraits, and architectural photography at a low price.

3. Sony FE 12-24mm f/2.8 GM Lens

Sony FE 12-24mm f/2.8 GM
The Sony FE 12-24mm f/2.8 GM lens is a wide-angle zoom lens for full-frame Sony E-mount cameras.

Sony FE 12-24mm f/2.8 GM Lens is number 3 among the landscape lenses for Sony a7C. Despite the vast angles of view it offers, and its high cost, this lens produces exceptional image quality. This Sony a7C lens has an f/2.8 aperture, which makes it ideal for photographing the night sky and low-light events. Take this lens to the most beautiful places on the planet, and you will undoubtedly achieve outstanding results. Please note that front filters are not accepted.

The Sony FE 12-24mm f/2.8 GM ultra-wide-angle zoom builds on the popularity of the FE 12-24mm f/4 G lens, with a wider constant aperture, a more complicated optical design, and lightning-fast autofocus. In addition, the Sony FE 12-24mm f/2.8 GM lens has the world’s comprehensive zoom range at F2.8, making it ideal for Sony a7C landscapes lens, cityscapes, architecture, and astrophotographers looking for uncompromising image quality and performance, as well as capturing movies with a practical zoom range.

The FE 12-24mm F2.8 GM features a revolutionary design that ensures excellent image quality from corner to corner across the entire zoom range. Furthermore, its fast f/2.8 aperture lets you capture detailed low-light photographs indoors or outdoors without boosting ISO or reducing shutter speeIn addition, several XA, aspherical, Super ED, and ED elements combine in their superior optical design to decrease a range of aberrations and distortions for a high degree of sharpness, accurate rendering, and essential color accuracy.

In addition, a new Nano AR Coating II has been added, which reduces flare and ghosting for improved contrast when working in bright or backlit environments. Furthermore, its fast f/2.8 aperture lets you capture detailed low-light photographs indoors or outdoors without boosting ISO or reducing shutter speed. It’s ideal for photographing breathtaking night landscapes and starry skies.

The lens’s slim and lightweight design (only 1.87 lb) is thanks to a mechanical design utilizing high-performance XD Linear Motors. Therefore, it is ideal for active photographers who require extra mobility during sessions. So put, with a wide range of ultra-wide fields of view and a constant f/2.8 maximum aperture; the Sony FE 12-24mm f/2.8 GM lens is ideal for Sony a7C landscapes lens, astrophotography, and architecture, as well as provides extra mobility for active sports photographers who want to capture ultra-wide perspectives.

4. Sigma 14-24mm f/2.8 DG DN Art Lens

While the focal length range of this lens is not as wide as that of the Sony equivalent, neither is the price. The image quality of the Sigma 14-24mm f/2.8 DG DN Art Sony a7C landscape Lens is great, the build and decorative features are excellent, and the autofocus is fast quieHowever, it’s worth noting that this doesn’t work with front filters.

The Sigma 14-24mm f/2.8 DG DN Art landscape lens for Sony a7C is distinguished by its fast f/2.8 constant maximum aperture, which enables a diverse range of wide-angle focal lengths with exceptional image quality while minimizing size and weight addition, the continuous f/2.8 maximum aperture is ideal for working in low-light situations and allows for more control over the depth of field.

A set of low dispersion and aspherical components are utilized in a complex optical design to minimize chromatic and spherical aberrations throughout the zoom range, resulting in outstanding sharpness, clarity, and color accuracyIn addition, lens flare, and ghosting are reduced to a greater extent with a Super Multi-Layer Coating coupled with a NanoPorous Coating compared with ordinary anti-reflective coatings.

This makes creating high-contrast, color-accurate pictures easier in various lighting circumstances. It also has a stepping motor, which allows for smooth, high-speed autofocusing that is noticeably silent when using functions like Face/Eye Detection AF or when taking video. In addition, a built-in Autofocus-Lock (AFL) button may be programmed with extractions to expand the lens’s capabilities. At the same time, a rounded 11-blade diaphragm improves image quality by assisting in the creation of smooth bokeh.

Furthermore, the lens has a dust- and splash-proof design and a water- and oil-repellent coating on the frontmost surface, allowing for photography in various conditions.

Check Out: Best Travel Lenses for Sony a7C

5. Sigma 14mm f/1.8 DG HSM Art

It is the first ultra-wide-angle landscape Sony a7C lens to feature a 1.8 aperture, and it incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art lens. The Sigma 14mm f/1.8 DG HSM Art lens is one of the best ultra-wide angle lenses ever made, and it debuts the world’s first 1.8 wide-angle lenses. Even though several zoom lenses may span a focal length of 14mm, the big diameter giving f/1.8 brightness, is a distinct benefit. This lens can capture a swarm of fireflies with crystal clarity, a gorgeous bokeh effect, exceptional control over light streaking, and shooting at a high shutter speed.

The 14mm F1.8 Art boasts exceptional picture quality from center to edge, thanks to the use of the most significant glass mold (80mm), which provides photographers with an ultra-wide prime lens that practically eliminates distortion, flare, and ghosting addition, three lens elements are made of FLD (“F” Low Dispersion) glass, which is equivalent in performance to calcium fluorite. In addition, four lens elements are made of SLD (Special Low Dispersion) glass, which reduces chromatic aberration.

Three FLD (“F” Low Dispersion) glass elements are used to reduce chromatic aberration. As a complement to the optical performance, a Hyper Sonic Motor, which delivers quick, smooth, and near-silent autofocus performance, complements visual performance. With a unique combination of a wide field of view and unfastened flexible arrangements, this lens is well-suited for astrophotography and low-light outdoor shooting and is priced accordingly.

6. Sony FE 12-24mm f/4 G Lens

The lens’s focal lengths are highly varied, and photographing from these perspectives is fun. The 12mm end, in particular, offers the opportunity to stand out. Unfortunately, although the FE 12-24 is a good lens, it does not accept front filters.

The Sony FE 12-24mm f/4 G Sony a7C lens is ultra-wide and versatile, making it a fantastic choice for landscape and architecture photography thanks to its compact, lightweight desigFurthermore, itsIt’s ultra-wide 12-24mm lens range includes cutting-edge advancements for breathtaking corner-to-corner G Lens resolution at all apertures and silent, fast, and precise autofocus that makes it excellent for both movies and stills.

Throughout the zoom range, the maximum aperture remains constant at f/4. Despite its remarkable performance, this lens is remarkably light, compact, and portable. It provides quality and capabilities that will fulfill professionals’ and hobbyists’ desires for larger fields of view for capturing landscapes, architecture, and other subjectsIn addition, a clever optical design benefits the threaded field of view by controlling spherical and chromatic aberrations for excellent sharpness and clarity.

A Nano AR Coating has been applied to individual elements to reduce surface reflections, flare, and ghosting for improved contrast and color accuracy when working in bright, backlit environmentsIn addition, a Direct Drive SSM autofocus technology, which helps both stills and video applications with its rapid, quiet. Precise performance complements the optical characteristics of this lens.

As a result, the Sony FE 12-24mm f/4 G lens is a terrific choice for landscapes and architecture; plus, it’s small, light, and portable, so you can take it wherever the best images are without slowing you down.

7. Sony FE 20mm f/1.8 G

Sony FE 20mm F1.8 G
The Sony FE 20mm F1.8 G lens is a fast prime lens designed for full-frame Sony E-mount cameras.

This ultra-wide prime lens from Sony delivers outstanding corner-to-corner sharpness and a fast maximum aperture of F1.8. It is small and lightweight, making it an excellent choice for full-frame users who want to capture stunning landscapes, street scenes, starry nights, and environmental portraits. It can also record high-quality video at 30 frames per second. Several aspherical elements and three extra-low dispersion elements are used in the optical design to minimize aberrations and distortion significantly.

In addition, a Nano AR Coating has been added to further decrease surface reflections and flare, resulting in better contrast while working in bright or backlit lighting situations. In addition to the optics, this lens is equipped with a twin XD Linear Motor system that is both swift and q and provides ding more responsive control when using the manual focus feature. The lens includes dust- and moisture-sealed construction and a fluorine coating on the front element to facilitate photography in adverse weather situations.

This Sony FE 20mm f/1.8 G Sony a7C lens also boasts exceptional close-up performance, as demonstrated by its minimum focus distance of 0.19 meters (maximum magnification: 0.2 times) and its ability to produce lovely bokeh in low-light conditionsMoreover, with a weight of only 373g, its tiny dimensions, and low weight makes it an excellent choice for both filmmakers and vloggers.

8. Sony FE 24-70mm f/2.8 GM Lens

Due to its comprehensive capabilities and characteristics, the Sony FE 24-70mm f/2.8 GM Lens is the go-to lens for many, including advanced professionals. With good image quality, the most-needed focal length range is solidly covered.

Because of the wide f/2.8 maximum aperture, this lens excels at stopping activity in low light, making it an excellent choice for action sports and low-light events. The f/2.8 aperture also helps to create a significant background blur, which helps to separate the subject from a distracting background. The autofocus technology on this lens is excellent, and the wide aperture allows outstanding NT low-light AF performance addition; the “GM” construction quality from Sony ensures long-term performance.

9. Sony FE 24-105mm f/4 G OSS Lens

Sony FE 24-105mm F4

The Sony FE 24-105mm f/4 G OSS Lens adds significantly to the long end of the general-purpose focal length and includes Optical SteadyShot, despite lacking the wide f/2.8 aperture.

Additional advantages of this lens over the Sony FE f/2.8 counterpart include its lighter weight, smaller size, and lower price, and, somewhat surprisingly, the f/4 lens is slightly sharper in most comparisons.

Moreover, the optical performance and the rest of the lens’s attributes, such as weather-sealed build quality and excellent close-focusing capability, make it a popular landscape photography zoom lens For Sony a7C.

10. Tamron 28-75mm f/2.8 Di III RXD Lens

I rarely recommend buying a camera to get a lens, but the Tamron 28-75mm f/2.8 Di III RXD Lens is such a good deal that it’s worth it. This lens has a wide f/2.8 aperture across the focal length range. Even the Sony FE 24-70 f/2.8 and FE 24-105 f/4 OSS lenses can’t compare to the image quality of this lens.

This lens’s small size and lightweight will appeal to landscape photographers, and Tamron’s (USA) 6-year guarantee is unrivaled. While I would love to have the 24mm focal length on my standard zoom lens, the whole package of this lens makes me willing to ignore that feature. The Tamron 28-75 is a fantastic all-around lens at a low price.

11. Sony FE 24mm f/1.4 GM

Its quick and adaptable construction, widely used wide-angle focal length and exceptionally brilliant design make the Sony FE 24mm f/1.4 GM an excellent choice for landscape, wildlife, or street photography, likewise using a7C.

Its wide-but-usable viewpoint is complemented by the f/1.4 maximum aperture, which excels in low-light settings while allowing for greater control over the depth of focus in portrait photography. In addition, three extra-low dispersion elements decrease chromatic aberrations, and two XA (extreme aspherical) elements considerably limit spherical aberrations, resulting in a high degree of picture sharpness and clarity.

A Nano AR coating has been added to reduce ghosting and lens flare while working in bright light, enhancing contrast color for accuracy. Additionally, the lens has a Direct Drive Super Sonic Motor (DDSSM) technology that delivers rapid, silent, and high-precision autofocus performance.

In addition, the lens supports hybrid autofocus with both contrast and focal-plane phase-detection AF. This Sony FE 24mm f/1.4 GM lens will be an excellent choice for pros, thanks to its clean bokeh, fast and precise autofocus, and high level of control and dependability.

12. Sigma 24-70mm f/2.8 DG DN Art Lens

Sigma 24-70mm F2.8

With a focal length range that covers the most common angles of view, the Sigma 24-70mm f/2.8 DG DN Art Lens is an excellent all-around lens.

This lens is well-made and performs as well as it appears. In addition, the 24-70 DN Art lens has a large aperture to handle low-light situations. As a result, the image quality is excellent, especially considering the price.

13. Sigma 28-70mm f/2.8 DG DN Contemporary Lens

The Sigma 28-70mm f/2.8 DG DN Contemporary Lens is the smallest and lightest Sony-mount lens that covers this focal length range, and it has been added to the list of recommended lenses.

Those characteristics are typically crucial for landscape photographers who are on the move. Affordability is always a desirable feature in a lens.

14. Sony FE 70-200mm f/4 G OSS Lens

My favorite landscape shots are frequently captured at telephoto focal lengths, and this lens has the necessary range for this use.

With a fixed f/4 maximum aperture, this lens is significantly smaller, lighter, and less expensive than the more comprehensive f/2.8 variant. In addition, optical SteadyShot, sturdy, weather-sealed build quality, and teleconverter compatibility are all included in the FE 70-200mm f/4.

15. Tamron 70-180mm f/2.8 Di III VXD Lens

Tamron continues to make excellent mirrorless landscape lenses, and the 70-180mm f/2.8 Di III VXD Lens is no exception. Although this lens’s focal length range falls short of rival 70-200mm versions, its content is excellent for landscape photography, and the image quality is perfect for compact sizes. Low weight will be well during long wedding shootsomedIn addition; everyone appreciates that the pricing is reasonable.

16. Sony FE 100-400mm f/4.5-5.6 GM OSS Lens

While landscape photographers may find this lens’s 100mm wide end to be a little too narrow at times, the 400mbacknd is often quite welcome, especially for making distant mountain landscapes large in the frame.

I frequently photograph both wildlife and landscapes simultaneously, and the range of this lens is excellent for that. When 400mm isn’t long enough, the teleconverter compatibility of this lens comes in handy. The Sony GM pro-grade build quality is evident in the FE 100-400.

17. Laowa 10-18mm f/4.5-5.6 FE

The Laowa 10-18mm f/4.5-5.6 FE Zoom from Venus Optics is a petite, flexible, ultra-wide-angle zoom for Sony E-mount mirrorless cameras, distinguished by its incredibly compact and lightweight fit. Its slim design and wide range of wide-angle focal lengths make it perfect for landscape, natural architectural photography, and astrophotography.

Its optical design includes aspherical and extra-low dispersion elements to correct various aberrations and distortions for sharper, more precise image quality and accurate color renderingIn addition, to aid in working in challenging environmental conditions, a Frog Eye Coating has been applied to repel dust and moisture from lens’s front elements.

The manual aperture ring can also be de-clicked for smooth, silent aperture changes, and the lens’s rear is threaded to accept 37mm screw-in filters for video applications.

Best Landscape Lenses for Sony a7C [Comparison]

Here is the comparison between the best landscape lenses for sony a7c.

The comparison table includes information about the focal length, maximum aperture, image stabilization, autofocus, weather-sealing, weight, filter diameter, and price range for each lens.

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