Are you looking for the best lenses for Sony a7C? Here are the top recommended full-frame E-mount Lenses for the Sony a7C mirrorless camera.
Best Sony a7C Lenses
Sony E-mount FE 24mm F1.4 GM
Full Frame Wide-angle Prime Lens
FE 135mm F1.8 G
Master Telephoto Prime Lens for Sony E-Mount
Sony 85mm F/1.8-22
Medium-Telephoto Fixed Prime Camera Lens
Sigma 24-70mm F2.8 DG DN Art
Sony FE 28mm f/2-22
Standard-Prime Lens for Mirrorless Cameras
Tamron 28-75mm F/2.8 Di III
RXD Full Frame E-Mount Lens for Sony
Sony - FE 16-35mm F2.8 GM
Wide-Angle Zoom Lens
Sigma 14-24mm F/2.8 DG
DN Art Lens for Sony E Mount
Sony 55mm F1.8 Sonnar T FE ZA
Full Frame Prime Lens
Sony FE 90mm f/2.8-22
Macro G OSS Standard-Prime Lens for Mirrorless Cameras
Sony - FE 24-105mm F4 G OSS
Standard Zoom Lens
Sony FE 70-200 mm f/2.8GM OSS
Full-Frame Super Telephoto Prime Lens
Tamron 70-180mm F/2.8 Di III VXD
Full Frame/APS-C E-Mount
Zeiss Batis 2/25
Wide-Angle Camera Lens for Sony E-Mount Mirrorless Cameras
Tokina FiRIN 20mm f/2 FE MF
Full-frame Wide-angle Manual Focus Lens
The correct settings and a good camera positioned behind an even better lens are required to capture an image correctly, no matter how lovely the composition may be.
The lens determines the quality of light that enters your camera, and when you have a flagship body like the Sony a7C, you must use only the best Sony a7C lenses.
The Sony a7C is a full-frame camera with a 24-megapixel sensor packed into a surprisingly compact chassis. It has built-in image stabilization, 4K video, an outstanding autofocus system with face, eye, and animal identification, and many other capabilities. Additionally, using a high-quality sony a7c lens will ensure that you can use the full potential of this camera.
Known for its lightweight design and spectacular results, the Sony A7C is a high-performance full-frame mirrorless camera that recently gained popularity.
It provides customers with a quick and precise autofocus system and a user-friendly design ideal for videographers and photographers. However, to achieve the finest possible results, you will need to discover the best lenses for Sony A7C.
We’ll be featuring Sony A7C lenses from Sony and third-party companies to provide you with a range of alternatives for your camera. Furthermore, our selection of the finest lens for the Sony A7C will cover both low-cost and high-cost options.
This list will include the best lenses for the Sony a7C in various categories and price ranges, ranging from wide-angle and macro to prime and telephone. It will assist you in making the best decision.
3 Best FE Lenses for Sony a7C
FE is a sort of mounting system. It indicates that your Sony a7c camera has a full-frame sensor and that you should use it with a full-frame lens from a third party or Sony.
For those who don’t have time to read the entire page, here are the top three excellent lenses for the Sony a7c: the all-around Sigma lens for Sony, the best Sony prime lens, and an economical Tamron telephoto lens for a reasonable price.
1. Sigma 24-70mm f/2.8 DG DN ART – Sony's a7c is equipped with the greatest all-around lens available, providing outstanding adaptability as well as high-quality photos and videos. 2. Sony G-Master Lens 24 mm F1.4 – A high-quality wide-angle prime lens that is perfect for landscape, cityscape, and architectural photography. Excellent in low light and has the ability to produce stunning bokeh. It may be used for astrophotography (night sky photography) and for videography. It's also a fantastic backdrop for Instagram trip pics. 3. Tamron 70-180mm F2.8 – The best mid-range telephoto lens for shooting from a distance at a reasonable price.
1. Sony G-Master Lens 24 mm F1.4 – Prime lens for Sony a7c Ideal for Travel
The Sony G-Master Le, ns 24 mm F1,.4 is a prime lens that produces high-quality photographs at a reasonable price. Itfastck maximum aperture of f/1.4 Mahaveer, a delightfully smooth bokeh effect while photographing people. This lens is also a superb performer in low-light photography, which is another advantage. Since it captures more light on the sensor than any other zoom lens, it produces crisp and detailed photographs when taken inside. This is an excellent pick if you’re seeking a lens that will shoot outstanding images in museums, residences, hotels, and other settings. Shooting handheld street lights and city vistas at night with the Sony 24 mm F1.4 lens will also provide stunning images of the cityscapes.
You will have excellent creative freedom when you combine a fast aperture with a wide-angle focal length. It will enable you to get fascinating full-body shots with a lot of background detail inside the camera’s frame. This is the most outstanding sony a7c lens for travel since it allows you to create professional photos of yourself with an appealing bokeh effect while simultaneously presenting many countrysides.
The Sony 24 mm F1.4 is constructed of high-quality materials that provide long-term durability and excellent weatherproofing. Because of its modest weight (particularly when compared to the Sigma 24mm f/1.4 lens), it is a perfect match for the Sony a7c’s small and compact body. You should consider this lens if you value mobility, which I believe you do if you possess a Sony a7c. It is ideal for taking with you when you go out shooting. Another excellent physical feature is the manual aperture ring, which is positioned on the barrel and allows you to alter the f/stops.
Overall, the Sony 24 mm F1.4 is a superb prime lens and is an ideal choice for the Sony a7c. It is also one of the Ideal lenses available from Sony. It’s fantastic for wide-angle photography, has a significant bokeh effect, and works well in low light; however, it is an expensive lesson. On the other hand, the price is reasonable compared to this lens’s specifications and quality.
2. Sony FE 135 mm F1.8 – Portrait Lens for Sony a7c
The Sony FE 135 mm F1.8 produces razor-sharp pictures, has correct contrast, and has low lens distortion or over; this lens, among Sony mirrorless lenses, is the undisputed champion in generating an incredibly creamy bokeh effect (blurred background). It also has exact and quick focusing systems perfect for capturing moving subjects, whether in a nature or fashion photo.
Shooting with a 135mm focal length demands a significant distance between the photographer and the subject. Still, it can create a beautiful ‘tunnel vision’ effect that separates the foreground from the backdrop to capture high-quality portraits. Therefore, the Sony FE 135 mm F1.8 is an excellent choice for those who want to work with a specialized creative instrument. Moreover, the Sony 135 mm F1.8 lens is well-suited for macro photography.
The Sony FE 135 mm F1.8 has a high-quality construction and is weather-sealed, making it an excellent choice for outdoor photography. Another feature that distinguishes it from the competition is the manual aperture ring. A click sound indicates when the f/stop is being adjusted, making it possible to make exact changes. In addition, the aperture ring offers a continuous recording option for filming videos.
The lens weighs 950g, which is rather heavy, and it has several high-end features, some of which come at a high cost.
Overall, the Sony FE 135 mm F1.8 is one of the most excellent Sony portrait lenses available, thanks to its premium features, outstanding picture quality, and one of the most pleasing bokeh effects created with any lesson. But, on the other hand, it is a little pricey. Moreover, its focal length is not suitable for everyone.
3. Sony FE 85mm F1.8 – Budget Portrait Lens from Sony
The 85mm focal length provides the ideal angle of view for photographing portraits. The lens’s fast aperture makes it easy to achieve an appealing bokeh effect, which is especially useful when shooting in low light or at close range addition, portrait photography is all about focusing on the person or topic in front of the camera and a fuzzy background, eliminating distractions.
The maximum fast aperture of F/1.8 ensures excellent performance in low-light conditions. This lens is one of the most excellent Sony FE lenses for photography at sunset, inside events, and at home, and it is also one of the most affordable because this prime lens catches far more light than similar focal length zoom lenses; you may shoot at lower ISO settings and still produce crisp photographs. This lens is also excellent at capturing moving images of moving things.
*It should be noted that shooting with a zoom lens at 85mm focal length is only possible at a maximum aperture of F/2.8 when using a fast lens. For those interested in a lens with a quicker aperture at this focal length and who are ready to pay twice as much, the Sigma 85mm f/1.4 DG HSM Art lens is an excellent option.
The Sony FE 85mm F1.8 is an excellent lens for photographing people’s portraits, documenting daily life while traveling, fashion shots, and family photos. Additionally, because of its variable focal length, you may capture the landscape and some candid close-ups.
At an aperture of F/2.8, the Sony FE 85mm F1.8 typically produces high-quality photos with exceptional clarity from corner to corner.
A significant flaw in the lens is the absence of an image stabilization mechanism, which is a disadvantage. However, as previously said, this should not ban essential issues when using the Sony a7c lens mount, which boasts an outstanding IBIS system, as previously stated.
Aside from that, the Sony FE 85mm F1.8 features a minimal and lightweight design, making it ideal for trips and wildlife encounters, and it is constructed with high-quality materials.
The Sony FE 85mm F1.8 is one of the most affordable Sony lenses available! So for those searching for an excellent entry-level portrait lens at a reasonable price, this is one of the better inexpensive Sony FE lenses available.
4. Sigma 24-70mm F/2.8 AF DG DN Art – Video Lens for Sony a7c
When it comes to all-in-one lenses for shooting videos, the Sigma 24-70mm F2.8 ART lens is an excellent choice. It performs similarly, if not better, than any Sony video-suitable lenses. A lens with this focal length is incredibly adaptable and may be used for various subjects, including landscapes, people, close-ups, and video blogs.
Using the Sigma 24-70mm f/2.8 ART lens, you can capture razor-sharp films in 4K quality at speeds of up to 120 frames per second. In addition, it has a fast and precise focusing system that is nearly quiet, which is very useful for filming videos.
Lenses of the highest quality For video, the Sony a7 series has in-in image stabilization, and this Sigma lens also has this feature built-in. The in-built image stabilization will correct any handshakes when shooting at a higher ISO in low light or with a slower shutter speed. This is in addition to the built-in Sony camera stabilization system (IBIS).
Furthermore, the Sigma 24-70mm f/2.8 ART features a fast maximum aperture of F/2.8, allowing you to quickly produce a stunning bokeh effect on your portraits and vlogs. It also excels in low-light scenarios, and the fixed f/2.8 aperture will enable you to maintain a consistent exposure level in your video while zooming in and out on objects.
The Sigma 24-70mm lens has a professional appearance and feel. In addition, a comprehensive weatherproofing system is included and built to endure a long time. However, compared to the Tamron SP 28-75mm, which is an outstanding choice for video, the main drawback of this lens is that it has a slightly larger overall size.
With this great Sigma lens, which competes against top-tier Sony lenses, you will not be let down if you are willing to put up with its rather bulky design.
5. Sony 28mm F/2.0 – Sony Lens for Vlogging
Sony 28mm F/2.0 is one of the most excellent a7 Sony lenses for any newbie videographers and YouTubers since it is priced far lower than the average price of any other Sony FE mount lens.
It is possible to record yourself from a distance of up to 28mm, which is ideal for close-up or gimble shots. Additionally, with a maximum aperture of f/2.0, this lens will provide a beautiful bokeh effect that will draw the viewer’s attention to the subject even more. Photographs taken with the Sony 28mm F/2.0 are crisp, and films recorded with the lens are of excellent quality, especially when shooting at mid-range aperture settings. However, there is an apparent distortion of soft edges when using the widest aperture possible.
With a weight of only 200g, this Sony lens is one of the tiniest and lightest lenses available on the market, and it will work perfectly with the Sony a7c’s compact body. Despite its small size, the lens is entirely weather-sealed, making it a fantastic, if not the best, Sony travel lens for shooting outdoors. This camera is powered electrically by a physical focus ring and is simple to operate.
The lens does not have optical image stabilization, yet this is not a problem when used in conjunction with the Sony a7c. Also, suppose you’re serious about vlogging. In that case, you’ll almost certainly want to invest in a gimbal, which will make recording oneself much more accessible and also smooth out any handshakes you may encounter.
A minimum focus distance of 0.29m is unsuitable for a macro lens. However, the lens may use several adapters to increase its capabilities.
The Sony 28mm F/2.0 is a good pick for travel vlogging, especially if you’re just getting started and looking for a cheap lens with a fast aperture and lightweight chassis.
6. Tamron 28-75mm F/2.8 Di III RXD – One of the Best Sony a7 Cheap Lenses
Especially when zoomed in to the maximum, the Tamron 28-75mm F/2.8 creates photos of exceptional clarity and contrast, even when used with a wide-angle lens. Because of the high-quality glass used in constructing this lens, common lens aberrations like ghosting, chromatic aberration, and flare are minimized to a bare minimum. The Tamron lens is prone to slight color fringing and vignetting in the corners of the frame. However, these may be readily eliminated using the in-camera menu or editing tools such as Lightroom or Photoshop Elements.
While the Sony-owned FE 28-70mm F/3.5-5.6 lens is an intense competition, this Tamron lens maintains a consistent aperture across the zoom range. This fantastic feature enables more diverse use, such as in portrait shooting, where it is beneficial. Moreover, due to the lens’s fast aperture, you can capture portraits with a nicely defocused backdrop while still shooting in low-light conditions.
With its fast aperture and decent zoom range – covering wide-angle to short telephoto – this lens is a fantastic all-arounder that isn’t going to break the budget.
Suppose you’re a travel, nature, or city photographer. In that case, the Tamron 28-75mm F/2.8 has exceptional autofocus – RXD (rapid extra-silent stepping drive) that is incredibly silent and astonishingly accurate, which allows you to catch those rare moments without fail, no matter what you’re shooting.
Another outstanding feature of this lens is its lightweight design, which weighs only 550g and is the ideal complement for the ultra-compact Sony a7c. In addition, the Tamron 28-75mm F/2.8 is also completely weather-sealed, making it an excellent choice for taking it out and about.
One of the minor drawbacks of this lens is the lack of in-body image stabilization, which is not a problem owing to the Sony a7c specifications, which have a 5-axis image stabilization system.
Overall, the Tamron 28-75mm F/2.8 is a fantastic value-for-money lens for the Sony a7 series. It’s impossible to go wrong with Tamron if you’re searching for a flexible lens to capture the high-quality landscape and portrait photographs at an affordable price.
7. Sony FE 16-35mm F/2.8 GM – Sony a7c Wide Angle Lens
Regarding picture quality, the Sony FE 16-35mm F/2.8 GM is a standout performer, capturing razor-sharp images with superb contrast even when shooting at the maximum aperture.
It has a fast F/2.8 aperture remains constant across the zoom range, making it a top-tier Sony lens. Moreover, because of its large gap, this lens is ideal for photographing in low-light conditions, such as cathedrals, museums, and interiors. This lens is also excellent for creating a smooth and defocused backdrop, achieved using the Sony FE 16-35mm F/2.8.
The Sony FE 16-35mm F/2.8 GM is also equipped with a rapid and nearly silent focusing system, which is particularly helpful for photographing moving subjects such as city life or those stunning dress flips that are so popular these days.
This lens is one of the Sony G Master lenses, which means that it has a high-quality build that results in minimal lens distortions (vignetting, ghosting, color fringing, and flare). When shooting at 35mm, the lens tends to produce soft photos in the corners of the frame, but the overall image quality is excellent.
The Sony FE 16-35mm F/2.8 GM has the appearance and feel of a high-end lens. It is entirely weatherproof, comes with a cover and a carrying bag, and has a focus hold button that may be customized to your liking. On the negative side, it weighs 680g, which makes it a little big and unwieldy for its size. It also does not have built-in image stabilization. However, this is not a problem when used in conjunction with the Sony a7c.
Overall, the Sony FE 16-35mm F/2.8 GM is a great pick among the wide-angle Sony GM lenses, providing obvious photos over the whole zoom range while also having the potential to produce a stunning bokeh effect in low light. Admittedly, it is not the most inexpensive lens available, but its cost is reasonable compared to its outstanding performance.
8. Sigma 14-24mm F/2.8 DG DN Art Lens – Ultra Wide Sony a7c Lens
This is one of the greatest wide-angle Sigma Sony FE lenses compatible with Sony’s a7c full-frame sensor. Throughout the whole zoom range, it produces exceptionally crisp pictures.
Because of its ultra-quick and precise focus, you can record unforgettable moments without missing a beat. The fact that its focus is not completely quiet is worth mentioning, though:
With an aperture of f/2.8, this lens may draw the viewer’s attention to the captured subject by blurring the backdrop and generating a lovely bokeh effect in the background. Fast aperture also means that this lens performs exceptionally well in low-light situations, such as at night or indoors, letting you shoot at lower ISO settings to save on film costs. (Taking photographs with a high ISO setting frequently results in blurry images.)
This Sigma wide-angle lens is an excellent option for city and building photography. It will bring much more to the frame in confined settings when it is impossible to go too far back to catch something like a massive structure and push the backdrop away significantly. Such a perspective is particularly beneficial in real estate photography since it makes places look more prominent. It is also an excellent choice for photographing varied landscapes and skylines with the Sigma 14-24mm F/2.8 DG DN Art.
Affinity Group: Sigma 14-24mm F/2.8 DG DN Because art generates minimal lens distortion, it may be easily fixed in ordinary editing software like Lightroom or Photoshop. As well as being entirely weatherproof, it features a high level of craftsmanship in its construction. It comes with a focus ring that is both nice and easy to use, enabling some very exact changes to be made with it. This lens also has an autofocus lock button, an advance from the previous lens model. This is another outstanding feature. The switch, which is positioned on the side of the barrel and may be customized in the camera’s menu, can be found there.
Sigma versus Sony lenses is significantly less expensive. Still, they have a heavier lens body (100g heavier than the Sony FE 16-35 F/2.8) and no optical image stabilization, which shouldn’t be a problem when used with the Sony a7c, which comes with a 5-axis image stabilization system (see below).
The Sigma 14-24mm F/2.8 is an excellent affordable alternative to a comparable Sony lens, and it is an outstanding choice for photographing landscapes, urban environments, architecture, and real estate.
9. Sony 55mm F1.8 – Landscape Lens for Sony a7c
The Sony 55mm F/1.8 has a focal length that is comparable to what the human eye sees, making it a flexible prime lens that can be used for landscape and city photography, as well as casual portraiture and other close-ups and macro photography.
When used with a higher F/stop setting, this Sony lens produces pictures that are razor-sharp from corner to corner across the entire aperture range. It is also one of the excellent autofocus lenses available from Sony, with the ability to record moving objects quickly and precisely in low-light conditions. Manual focus adjustment is also possible through the smooth focus ring on the lens barrel itself.
It is possible to capture clear photographs in low light with lower ISO settings and faster shutter speeds because of the fast aperture of F/1.8. When it comes to shooting a city at night, there are few better options than Sony lenses. Aside from that, this lens will also provide you with an attractive background blur. The maximum fast aperture allows you to achieve a shallow depth of field without difficulty.
Sony’s 55mm f/1.8 lens is very light and compact, weighing under 300g, making it an excellent choice for travel. Additionally, it is completely weatherproof. However, this lens’s absence of optical image stabilization is a minor shortcoming. Still, it should not be a deal-breaker because the Sony a7c already includes the Sony IBIS technology, which should mitigate this issue (In-body image stabilization).
However, it is essential to note that this is not a low-cost option. Regarding this focal length, the Sony 50mm f/1.8 is a more affordable alternative if you want to save money. In addition, image clarity and physical construction quality will be sacrificed due to choosing this option.
Overall, the Sony 55mm f/1.8 is one of the finest Sony camera lenses for landscape photography and casual portraiture, close-ups, and architectural photography, among other applications. Although it is not the cheapest camera on the market, it has a quality design and provides the finest photos available at this lens length.
10. Sony FE 90mm F2.8 G OSS – Sony a7c Macro Lens for Close-ups Such as Insects and Flowers
This macro prime lens captures the sweet spot in the optimal range of focal lengths between 90mm and 105mm, making it ideal for both macro photography and portraiture. It has a 28cm focal distance to the subject, which is a reasonable working distance. It is also the sharpest lens available, which is excellent news for macro photographers. This lens will help you to capture a great deal of fine detail and texture in your photographs. Even when shooting wide open at the fastest aperture of F/2.8, the camera maintains its exceptional clarity from corner to corner. It is fitted with a rubberized ring for a more comfortable grip and a pull/push lever for switching between manual and autofocus modes, which may be particularly beneficial for photographing macro subjects nearby.
This lens also works incredibly well in low light and generates minimal lens distortion, making it an excellent choice for portraiture.
The lens is also a fantastic choice for video recording with the Sony a7c. It is fitted with an aperture ring on the barrel that rotates smoothly when recording movies, allowing a smooth transition from in-focus to a defocused backdrop during the recording process. Also one of the Sony stabilized lenses, and one of the best Sony video lenses, it is capable of smoothing down handshakes when recording handheld with the Sony A7S. Furthermore, shooting in low light conditions with a slower shutter speed and higher ISO settings is also possible, thanks to Optical Steady Shot, which eliminates the need for a tripod.
Because it is packed with various high-end functions, this lens is neither the most compact nor the lightest of the new Sony lenses, weighing more than 600g.
The Sony FE 90mm F2.8 is one of the most incredible macro lenses available for the Sony a7 series. It captures photos with exceptional clarity and sharpness from corner to corner, and it is versatile enough to be utilized in portrait and even specific landscape photography applications.
11. Sony FE 24-105mm F4 G OSS – Zoom Lens for Sony a7c
With a focal length range of 24-105mm, this lens is a flexible tool for everyday landscape and portrait photography and simple macro and close-up photography.
If you don’t mind a somewhat heavier body, you may choose the Sony FE 24-240mm, which has slightly worse optical quality and mobility than the Canon EF 24-120mm. But, again, only get a lens with an excellent zoom range if you are sure you will not mind lugging around additional weight in your camera gear.
Even while shooting in the center of the aperture range, the Sony FE 24-105mm F4 produces high-quality photos with exceptional clarity, valid throughout the zoom range, including at 105mm. However, when shooting at the fastest aperture of F/4, the edges of the frame are a little softer than they should be. As a result, visible lens distortion, such as vignetting, can be observed using this lens (which means dark edges of the frame). On the other hand, Vignetting does not occur while shooting Jpegs and can be readily rectified in Lightroom on any RAW photographs.
Compared to other Sony a7 zoom lenses of a comparable focal length, the Sony FE 24-105mm F4 is comparatively light and portable. The lens is fully weather-sealed and, as standard equipment, comes with a lens hood. In addition, premium rubberized rings are included for manual adjustment of the autofocus and zoom.
Overall, the Sony FE 24-105mm F4 is one of the most excellent full-frame lenses available from Sony, and it has a zoom range of 24 to 105mm. In addition, it has compact housing and produces good picture quality.
12. Sony 70-200mm F2.8 GM OSS – Professional Telephoto Lens for Sony a7c
The Sony 70-200mm F2.8 lens has a focal range of 70-200mm, which falls within the short-mid telephoto range of the camera. This focal range is ideal for trip photography, animal photography, and photographing sporting events, among other things. Furthermore, when photographing landscapes, especially when the subject is at a distance, this lens may also be utilized for portraits and shots of city life or local people while traveling.
Because of its fast maximum aperture of F/2.8, the Sony 70-200mm F2.8 is a good performer in low-light conditions. So you are looking for a telephoto lens that will be ideal for photography indoors and in the evenings? You have come to the right place! The lens will collect a lot of light on its sensor, allowing you to shoot at lower ISO settings if you choose to. This creates crisper photos with less noise, even in external light conditions.
Another advantage of using a fast aperture is that it allows you to get a narrow depth of field with pleasing bokeh (defocused background) while photographing people or animals from a fair distance.
Furthermore, the Sony 70-200mm F2.8 has a quick and precise focusing system, which helps you capture razor-sharp captures from corner to corner of the frame, even when shooting wide open.
It is equipped with optical image stabilization. When used with the fantastic Sony a7c camera, it can produce photographs with exceptional resolution, even in low light conditions.
This lens’s disadvantages are its heaviness, bulkiness, and costly price tag.
Overall, the Sony 70-200mm F2.8 is unquestionably one of the most excellent Sony wildlife lenses available, as well as the best telephoto lens for the Sony a7c, and is a terrific choice for both pros and dedicated nature photographers. If, on the other hand, this lens is out of your price range, consider the less expensive option discussed in the next section.
Check Out: Best Telephoto Prime Lenses for Sony a7C |
13. Tamron 70-180mm F2.8 – Budget Telephoto Lens for Sony E Mount
Tamron’s 70-180mm F2.8 zoom lens offers significant cost reductions while providing high-quality image reproduction.
This Tamron lens produces incredibly crisp photos at all focal lengths, even when shooting wide open at F/2.8. It is also relatively compact. Unfortunately, this sort of lens is prone to ghosting, flares, and chromatic aberration, which are all common problems with this lens. Although all lens distortions cannot be fixed in post-production editing tools such as Lightroom, they can be addressed in other ways. The Tamron 70-180 F.28 is capable of producing photographs with a reasonable degree of bokeh, resulting in lovely portraits and close-ups with defocused backgrounds when appropriately used.
The Tamron 70-180mm F2.8 lens excels in low-light situations such as interior events, museums, cathedrals, and cities at night, thanks to its fast maximum aperture. Reduced image noise is made possible using lower ISO settings, resulting in more detailed and crisp photos. Tamron also has a quick and precise focusing system, which helps to improve its overall performance further.
It is possible to go as close to the subject as 0.27m with the Tamron 70-180mm F2.8, which means you may use this lens for casual macro photography and 1:2 life-size photographs. Unfortunately, it does not have optical image stabilization, but as previously said, this is not a significant issue because the Sony a7c is equipped with fantastic 5-axis IBIS technology.
In terms of being as light and portable as feasible, Tamron’s telephoto lenses do not fall short of your expectations. It weighs 810g, a reasonably modest weight for a telephoto lens with a large and fast maximum aperture. The Tamron 70-180mm F2.8 is also exceptionally well-built, with weatherproofing included, which comes in helpful when shooting outdoors in inclement weather.
*It’s worth mentioning that similar rivals’ lenses are available in focal lengths ranging from 70-200mm – (20mm more than the Tamron lens). The Tamron lens, on the other hand, is significantly smaller and more portable due to its narrower focal length range.
Overall, the Tamron is a fantastic telephoto lens with a portable housing that offers outstanding value for money compared to another telephoto Sony a7 compatible lenses on the market.
14. Zeiss Batis 25mm F2 – Lightest & affordable Astrophotography Lens
The dim light of the night sky is well-suited to the wide-angle lens of 25mm focal length. With the maximum aperture of F2, a significant amount of light is collected in the camera sensor, providing a spectacular low-light photograph. This lens is also suitable for photographing inside with a flash. Furthermore, because of its large aperture, it can shoot at lower ISO settings and quicker shutter speeds, resulting in more explicit photos with less noise.
The image sharpness does not equal the quality of the Sony 24mm f/1.4 lens. However, this trade-off is offset by a significantly lower price. However, even when shooting wide open at F2, the image quality is still extremely high, with some soft edges visible when shooting at F2. It is also susceptible to lens aberrations like chromatic aberration and vignetting, which results in darker corners when using the lens.
The Zeiss Batis, 25mm F2, is a wide-angle portrait lens that may also be used for some wide-angle landscape photography. At the maximum aperture of f/2, you can produce a slight coating of bokeh in the background of your photograph.
The Zeiss Batis, 25mm F2, has been constructed with extraordinary care using long-lasting, light materials. As a result, this lens weighs little more than 300g and is completely weatherproof. So you are looking for a lightweight wide-angle Astro lens that won’t consider you down? Then, you’ve come to the right place.
The Zeiss Batis, 25mm F2, is a solid pick for astrophotography. It is exceptionally light and portable, making it an excellent choice for travel. In addition, it produces reasonably crisp photographs, and its most significant shortcomings are lens distortion, particularly vignetting, which may not be suitable for astrophotography.
15. Tokina FiRIN 20mm f/2
Featuring autofocus for the first time, the Tokina FiRIN 20mm f/2 is the second generation of a highly wide-angle lens from Tokina.
The fact that this lens has autofocus makes it significantly more desirable because it can be used for various subjects other than astrophotography or slow-moving images.
The AF design is optically identical to the MF design, creating exceptionally high-quality images.
I was pretty pleased with the build quality of this lens, especially considering its size (the smallest lens reviewed here).
Even though it weighs a few grams extra (20 grams more than the Sony 24mm f/1.4) and is a touch noisier (autofocus noise) than the other lenses, its maximum aperture of f/2 makes it a competitive option.