Looking for the best Standard Prime Lenses for Sony a7C? Here are our top recommended E-mount Standard Prime Lenses for the Sony a7C mirrorless camera.
Best Sony a7C Standard Prime Lenses
Sony Single Focus Lens E 35mm F1.8 OSS
Standard Lens For Sony-Mount
Sony E PZ 18-105mm f/4 G OSS
Versatile Mid-range Zoom For Aps-c-format E-mount Cameras
Sigma 30mm F1.4
Contemporary DC DN Lens for Sony E
Sony Vario-Tessar T E 16-70mm f/4 ZA OSS
Compact Zoom Lens For Sony E-mount Cameras
Sony Vario-Tessar T E 16-70mm F4 ZA OSS
Compact Zoom Lens For Sony E-mount Cameras
Sony E 55-210mm F4.5-6.3
Telephoto Zoom Lens For Sony E-mount
Sigma 16mm f/1.4 DC DN
Contemporary Lens for Sony E
Sony Alpha E-Mount 18-200mm F3.5-6.3 OSS Lens
Zoom Lens For Sony E-Mount
The latest mirrorless cameras from Sony are noted for their small size and high image quality. Many come with kit lenses, such as the 16-50mm, which is a great way to get started. Regardless of whether you’re a beginner or a seasoned pro, the E-mount Standard Prime lenses for Sony a7C listed below provide higher optical performance and create better photos and movies. Remember that Sony E-mount Standard Prime lenses have a 1.5x crop factor, therefore we’ll frequently provide the 35mm equivalent for comparison.
Take a look at the best Standard Prime lenses available for your Sony a7C camera right now.
1. Sony 35mm f/1.8 OSS
A good 50mm lens is essential for portrait photographers, and the Sony 35mm f/1.8 is precisely the finest standard prime lens for Sony a7C (or very close to it with a 52.5mm equivalent). This prime lens is crisp, includes OSS image stabilization, and works well in low light. It’s also one of the lightest alternatives on the list, weighing in at under 6 ounces. Yes, the Sigma 30mm f/1.4 is less expensive, but we like the Sony’s quicker autofocus, lower weight, and smaller size, which is why it is rated here.
What is the Sony 35mm f/1.8? The most remarkable is the price: at roughly $425, it’s a reasonable price for an APS-C prime lens (as we mentioned above, you can go cheaper with third-party options from brands like Sigma). Second, the zoom lenses listed below are more adaptable, however, sharpness and low-light performance are sacrificed. Last but not least, if you truly want the highest image quality at this focal length, the Zeiss Touit 32mm f/1.8 is hard to top, but it will set you back over $700.
2. Sony 18-105mm f/4 G OSS
There is a variety of travel zooms available for Sony APS-C mirrorless cameras, but we believe the 18-105mm f/4 delivers the greatest value for money. This lens is crisp, focuses well, and has the same f/4 maximum aperture and OSS image stabilization as the more expensive 16-70mm f/4 lens below for roughly $600. The extra reach of 158mm vs. 105mm is also appealing, however, you do lose a useful 3mm at the broad end.
One of the Sony 18-105mm f/4 G’s biggest flaws is its weight: at 15.1 ounces, it’s one of the heaviest versions on the list, behind only the 18-200mm and 16-55mm. It also has issues with edge sharpness at certain apertures, which is to be expected for a Sony a7C Standard Prime lens of this sort. Other possibilities in this category include the Sony 16-70mm f/4, which is more expensive but has Zeiss glass. The Sony 18-135mm offers wider reach and is lighter, albeit it performs worse in low light at the telephoto end.
3. Sony 10-18mm f/4 OSS
The Sony 10-18mm f/4 is the best choice for landscape photographers searching for the versatility of a wide-angle zoom. This lens is crisp, has minimum distortion, focuses rapidly, and weighs only 8 ounces, which is far less than comparable wide-angle digital SLR alternatives. When you combine this Standard Prime lens with a camera like the a6600, you’ve got yourself a formidable outdoor photography setup.
Why isn’t the Sony 10-18mm f/4 lens higher on the list? Although the maximum aperture of f/4 isn’t ideal for a premium lens, it does incorporate OSS image stabilization to aid in low-light situations. It’s also rather pricey, at roughly $800, however, wide-angle zooms are notoriously expensive, so this isn’t surprising. If you prefer a prime lens, the Zeiss Touit 12mm f/2.8 below offers a faster maximum aperture than the Sony but is heavier and more costly. The Sigma 16mm f/1.4, on the other hand, is ultra-fast and a terrific deal at less than $400, but it’s also hefty and poorly constructed.
4. Sigma 30mm f/1.4
Sigma, a third-party lens maker, has made a strong push into the Sony E-Mount lens market, as seen by lenses like the 30mm f/1.4. On paper, this lens seems great: it boasts an incredibly fast f/1.4 maximum aperture, a practical focal length equivalent to 45mm, and it’s just $279. In terms of optics, this lens can compete with Sony a7C Standard Prime lenses costing twice as much or more. Overall, it’s a great portrait and travel lens that’s not too heavy on compact APS-C camera bodies.
The Sigma 30mm f/1.4 lens does, however, come with significant trade-offs. The focusing isn’t as quick as we’d like, making it difficult to use for action and video, and the build quality isn’t as good as Sony’s high-end native choices. Furthermore, the Sigma lacks internal stabilization, but because it can open up to f/1.4, we don’t think this is a major flaw. We enjoy the image quality for the price, which is why the Sigma 30mm f/1.4 is our favorite Sony E-Mount lens.
5. Sony Vario-Tessar T* E 16-70mm f/4 OSS
The Sony 16-70mm f/4 is one of our favorite zoom lenses for Sony APS-C mirrorless cameras for those who can afford it. From an equivalent of 24-105mm, it provides exceptional clarity and image quality for anything from landscapes to portraits (it’s also a great travel camera). The lengthy name comes from Sony’s collaboration with Zeiss, which is most noticeable in the T* coating, which provides superb clarity and color. In comparison to any of the kit zooms, this lens will blow them away.
The Sony 16-70mm f/4 lens’ most obvious flaw is its price. It’s one of the most expensive lenses on this list, with a price tag of about $900. Furthermore, there is some softness while shooting at the zoom’s extreme ends, although the lens is razor crisp between 35 and 50mm. If cost is a big consideration, the Sony 18-105mm above gives a greater range for $300 less, but we believe the 16-70mm is superior optically.
6. Sony 55-210mm f/4.5-6.3 OSS
There aren’t many E-mount lens options at the telephoto end of the range, but the 55-210mm model offers the longest reach with an equivalent of 315mm (the second is the 18-200mm below with an equivalent of 300mm). Overall, you get good optics, a low weight (at 12.2 ounces) for a Standard Prime lens for Sony a7C of this sort, and fair pricing. Keep in mind that the 55-210mm OSS is included in many Sony mirrorless camera sets, or you can buy it separately for roughly $350 (it’s a better deal in a kit).
With a lens like the Sony 55-210mm, you can keep your expectations in check. With this camera, you get what you paid for: low-light performance is terrible at f/4.5-6.3, and sharpness suffers noticeably (particularly at the telephoto end). Last but not least, this lens is primarily made of plastic (the mount is metal), which helps to reduce weight but has a long-term influence on durability. Perhaps a faster E-mount telephoto lens will appear in the future, but for now, the 55-210mm is a cost-effective approach to round out your equipment.
7. Sigma 16mm f/1.4
The 16mm f/1.4 Sigma Standard Prime lens, once again, has a lot to recommend it. This wide-angle prime outperforms the Sony 16mm f/2.8 in terms of sharpness and low-light capabilities by a significant amount. It’s a good option for landscapes, with a focal length equal to 24mm, and the low-light capabilities are unmatched by any similar prime or zoom lens for Sony E Mount.
It’s worth mentioning that we prefer this lens for still photography over videography. The autofocus motor is notoriously loud, and Sigma lenses are notoriously slower to focus than their native equivalents. Furthermore, the 14.3 ounces of weight is very substantial for a prime lens—every other wide-angle choice on our list is lighter, which makes a difference for individuals who carry their camera for long periods of time. The image quality and value of the Sigma 16mm f/1.4, on the other hand, are hard to surpass, which is why it’s featured here.
8. Sony 18-200mm f/3.5-6.3 OSS
The allure of all-in-one lenses is understandable. One lens covers everything from broad angle to telephoto, eliminating the need to buy and carry additional zooms or primes. They aren’t the best in terms of picture quality, and they fall short of purpose-built Standard Prime lenses at their focal lengths. The Sony 18-200mm takes crisp photos, has OSS for low-light situations, and is speedier than the 55-210mm above. Most significantly, it can be thrown on your camera and will never need to be replaced.
However, we still choose to go in a different route, especially considering the Sony 18-200 mm size and weight of 16.3 ounces. With a Standard Prime lens of this size attached, mirrorless cameras are intended to seem tiny, which is tough to execute. Furthermore, while the image quality is decent across most of the range, the lens isn’t exceptional at any single focal length, which is why we prefer more specialized zooms or primes.