Looking for the Best Super Telephoto Zoom Lenses for Sony a7C? Here is the guide for you to get the top-recommended Sony a7C E-mount Super Telephoto Zoom Lenses.
Best Sony a7C Super Telephoto Zoom Lenses
Sony FE 100-400mm F4.5–5.6 GM OSS
Super Telephoto Zoom Lens
Sony SEL24240 FE 24-240mm f/3.5-6.3 OSS
Zoom Lens for Mirrorless Cameras
Sony FE 70-200mm f/2.8 GM OSS
Super Telephoto Zoom Lens
Sony FE 200-600mm F5.6-6.3 G OSS
Super Telephoto Zoom Lens
Sigma 100-400mm f/5-6.3 DG DN OS
Contemporary Lens for Sony E-Mount
Sigma 150-600mm f/5-6.3 DG DN OS
Sports Lens for Sony E-Mount
Tamron 150-500mm f/5-6.7 Di III VC
VXD Lens for Full Frame Sony Mirrorless Camera
Sony FE 70-200mm F4 G OSS
Interchangeable Lens for Sony Alpha Cameras
A telephoto zoom lens is likely to be the second-most significant lens in most photographers’ kits. The telephoto zoom lens will be used for portraits, events (including kid performances), sports, wildlife, landscapes, the beach, and a variety of other photography topics.
In general, the focal length range ideally covered by a telephoto zoom lens in an all-purpose kit is around 70-200mm. This range corresponds to the focal length range found in the majority of general-purpose zoom lenses. Don’t be concerned by a little gap, such as 55-70mm or 70-100mm, between the focal length ranges; an overlap of the ranges is a positive quality, potentially implying fewer lens changes. The selection of the appropriate telephotoZoom lenses for each application should take precedence over the alignment of the focal length ranges.
Check Out: Best Telephoto Prime Lenses for Sony a7C
1. Sony FE 100-400mm f/4.5 – 5.6 GM OSS lens
First of all, is the Sony FE 100-400mm f/4.5 – 5.6 GM OSS telephoto zoom lens for Sony a7C. This E mount full-frame lens has a focal length range of 100 – 400mm, allowing you to capture those difficult-to-reach wildlife and bird photographs. When you want those shots, you need a longer reach. The lens’s internal structure features one Super ED element and two ED elements. These elements are in charge of correcting the aberrations and distortions. Furthermore, the lens includes a NANO AR coating as well as a fluorine coating. The first addresses distracting elements like flares and ghosting. The fluorine coating almost eliminates smudges and smears on the front element of the lens.
The aperture diaphragm of the lens is made up of 9 circular blades. These rounded blades provide great bokeh and are ideal for subject separation from the background.
The lens autofocus is powered by a Direct Drive Super Sonic wave AF motor. When activated, this technology offers a smooth auto-focusing performance that is very quiet. Internal focusing implies that when you alter the focus, the barrel length of the lens does not change. A focus delimiter switch is also available. This option restricts the focus searching range to a tiny window, allowing for speedier AF performance.
The Sony FE 100-400mm has excellent controls. There is even a torque regulator on the lens barrel that allows you to fine-tune the amount of resistance on the zoom ring when using it. On the lens, there are also a number of focus-holding controls. Additionally, there is an AF/MF switch. This allows for a trouble-free shift from autofocusing to manual focusing. The lens also has a rotating tripod mount.
OSS (Optical SteadyShot) technology is also included in the lens. It ensures that you can shoot hand-held with a slow shutter speed even in low light. This saves you from having to increase the ISO number as well.
2. Sony FE 24 – 240mm f/3.5 – 6.3 OSS lens
The Sony FE 24 – 240mm is a wide – medium telephoto lens with maximum apertures of f/3.5 (wide end) and f/6.3 (telephoto end) (telephoto end). The lens is intended for Sony’s full-frame FE mount camera systems. However, the lens is also compatible with APS-C system cameras. As a result, the lens has a somewhat longer (effective) focal length. As a result, the lens becomes the equivalent of a 36 – 360mm lens (on 35mm format equivalence).
The lens’s internal architecture consists of 17 parts organized into 12 groups. It consists of one Extra-Low Dispersion element and five aspherical elements. These are used to reduce chromatic aberrations and distortions. The aperture diaphragm is made up of seven rounded blades. When utilized correctly, it promises some lovely bokeh.
A linear AF motor drives the auto-focusing motor. This focusing motor is distinguished by its quieter autofocusing performance and improved focus locking. The lens includes an Optical SteadyShot picture stabilization mechanism built into the body. It is easier to handle the camera in low light and with a slower shutter speed.
The lens is dust and moisture-sealed on the outside. As a result, you can take this lens out and photograph in inclement weather with little difficulty.
3. Sony FE 70 – 200mm f/2.8 GM OSS lens
This incredibly flexible lens has been added to another category – portraiture. The lens has an outstanding focal length range that is suitable for portraits as well as wildlife photography. The lens’s main feature is its consistent fast aperture of f/2.8. An 11-blade circular aperture forms the lens diaphragm, resulting in creamy bokeh.
It has excellent construction with a total of 23 pieces arranged in 18 groups. It has 1 XA (Extreme Aspherical) element, 2 aspherical elements, 4 ELD elements, and 2 Super ED elements. These components will reduce distortions and aberrations. On top of that, the lens has a NANO AR coating. The NANO AR coating eliminates lens flares and ghosting, which may be quite bothersome while working in highly bright circumstances.
The lens’ auto-focusing is driven by dual linear and supersonic wave AF motors. Most of the time, this results in an exceptionally quick and precise focus lock. In addition, the lens features Optical SteadyShot image stabilization technology. This is the technology that allows you to photograph hand-held with a lens in low light and with a slow shutter speed without needing to increase the ISO setting.
External features on the lens body include a Focus Hold button (for locking focus) and a focus range delimiter button, which is useful when shooting in the telephoto range or when there is insufficient contrast for the lens to lock on. The lens has superb dust and moisture-resistant construction that offers excellent performance even under adverse weather conditions.
4. Sony FE 200-600mm f/5.6-6.3 G OSS Lens
This lens’ focal length range is fairly long for general-purpose use, yet I felt forced to include it on the greatest lens list. The Sony FE 200-600’s large focal lengths are the main draw (and teleconverter compatibility enhances that reach), but the lens’s exceptional image quality does not disappoint. This is a huge, heavy lens with a reasonably expensive price tag. In comparison to the Sony FE 600mm f/4 GM OSS Lens, the FE 200-600 appears to be smaller, lighter, and more affordable.
5. Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens
Most photographers place a high value on Sony a7C telephoto zoom lenses with long focal lengths; yet, a substantial percentage of these photographers are looking for a lightweight, low-cost solution; and no one wants to sacrifice image quality or deal with a lens that does not function properly. To achieve those requirements, the Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens is an excellent choice.
6. Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens
Most photographers place a high value on telephoto zoom lenses with long focal lengths; yet, a substantial percentage of these photographers are looking for a lightweight, low-cost solution; and no one wants to sacrifice image quality or deal with a lens that does not function properly. To achieve those requirements, the Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens is an excellent choice.
7. Tamron 150-500mm f/5-6.7 Di III VC VXD Lens
Long Focal Length Range, Well-Built, Superb Image Quality, Vibration Control, at a very Reasonable Price
Tamron offers a highly appealing choice for filling in a wide variety of long focal lengths with this lens. While this is not a tiny or lightweight lens, it does have such characteristics in comparison to others spanning the 500mm focal length. This is a wonderful lens to use on its own for excursions that require these focal lengths, such as wildlife and sports.
8. Sony FE 70-200mm f/4 G OSS Lens
At last, what you don’t need is the f/2.8 maximum aperture of the 70-200 f/2.8 Lens which is also a perfect standard zoom lens for the Sony a7C. The 70-200 f/4 will provide you with everything else in a smaller, lighter, and less expensive package. Without the f/2.8 aperture, you’ll need twice as much light to stop subject motion (at f/4), and you won’t be able to generate a diffusely blurred backdrop. However, a significant amount of size, weight, and cost are also sacrificed. This lens has professional-grade features such as weather-sealed build quality, Optical SteadyShot, and teleconverter compatibility. This is an excellent telephoto zoom lens for landscape and travel photography.