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Best Telephoto Prime Lenses for Sony a7C

Are you looking for the Best Telephoto Prime Lenses for Sony a7C? Here is the guide to getting the top-recommended a7C E-mount Telephoto Prime lenses.

Best Sony a7C Telephoto Prime Lenses

# Image Details
1 Sony FE 16-35mm F2.8 GM

Sony FE 16-35mm F2.8 GM

Wide-Angle Zoom Lens

2 Sony FE 24-105mm F4 G OSS

Sony FE 24-105mm F4 G OSS

Standard Zoom Lens

3 Sigma 35mm F1.4 Art DG HSM

Sigma 35mm F1.4 Art DG HSM

Wide-angle prime Lens

4 Sony 85mm F/1.8-22

Sony 85mm F/1.8-22

Telephoto Fixed Prime Lens

5 Sony FE 70-200mm F2.8 GM OSS II

Sony FE 70-200mm F2.8 GM OSS II

Full-Frame Constant-Aperture telephoto Zoom G Master Lens

6 TAMRON 28-75mm F2.8 RXD Lens

TAMRON 28-75mm F2.8 RXD Lens

Full-frame-compatible lens

7 Tamron 70-180mm F/2.8 Di III VXD

Tamron 70-180mm F/2.8 Di III VXD

Full Frame/APS-C E-Mount Lens

8 Sony E-mount FE 24mm F1.4 GM

Sony E-mount FE 24mm F1.4 GM

Full Frame Wide-angle Prime Lens

Let’s look at the best telephoto prime lenses for Sony a7C camera. This post will go through the most excellent Sony a7C lenses for YouTubers and cinematographers. This article has only examined the Sony full-frame lenses for video and photography. So, let’s talk about the lenses for the Sony A7C camera.

The Sony A7C also incorporates a sensor-based image stabilization system, which means that when used on the Sony A7C, all of these lenses will be stabilized.

Because the Sony A7C features environmental sealings (Weather Sealing), you might want to pair it with one of these.

Check Out: Best Super Telephoto Zoom Lenses for Sony a7C.

1. Sony 16-35 mm f/2.8 GM

The Sony 16-35 mm f/2.8 GM is a high-end telephoto prime lens for Sony a7C. The 16-35mm lens range allows you to capture landscapes and portraits. The “G” designation denotes high build and image quality. The lens’s bright f/2.8 aperture ensures clear images even in low-light situations.

The Sony 16-35mm f/2.8 GM has an 11-blade circular aperture that ensures gorgeous, high-quality bokeh. It has two DDSSM (Direct Drive SSM) systems with the original Sony piezoelectric Auto-focus motor, which operates shockingly fast and with high precision. Moreover, DDSSM operates quietly, making it excellent for filming.

The lens is also backward compatible with earlier Sony cameras. Because of its small size, it is simple to transport. On the side, there is also an auto/manual focus button and a focus hold button. The lens body is built of durable plastic and weighs only 680 grams, making it more convenient to use for long shots. The Nano-AR coating on the lens’s surface reduces flare and ghosting in backlighting settings. Its titanium weather-sealing O-ring keeps dust and moisture out of the Sony a7s III’s body.

The image quality is excellent. The visuals are sharp throughout the frame, not just in the center. It is one of the best and fastest lenses available for Sony’s full-frame cameras for around $2,000.00.

2. Sony 24-105mm f/4 G OSS

The Sony 24-105mm f/4 G OSS is a more expensive but helpful lens than the Sony 16-35mm. The lens produces clear images at all focal lengths thanks to a constant f/4 aperture throughout the zoom range. It’s made of high-quality, long-lasting polycarbonate, with a metallic weather seal that ensures the lens clicks snugly onto the camera.

Its built-in optical image stabilization decreases noticeable camera shake when shooting films or taking images. The Sony 24-105mm f/4 lens also has an auto/manual focus switch, a focus hold button, an optical steady shot button, and Sony’s Direct Drive SSM (DDSSM) Auto Focus, which is quick, precise, and silent. As a result, the autofocus performs as expected for a professional lens, making it perfect for filming and photographing.

The Sony Nano AR coating keeps oil and dust from adhering to the glass and prevents flares and ghosting. The lens hood is provided as part of the package.

It’s a flexible lens best suited for vacation photography and videography. The 24-105mm focal length is ideal for photographing landscapes and close-up portraits. To some extent, it can also be used for wildlife photography. However, it is more suited for the event, street, and portrait photography. This lens may be purchased online for slightly more than a thousand dollars.

3. Sigma 35mm f/1.4 DG HSM Art

The Sigma 35mm f/1.4 DG HSM is one of the most impressive Sony a7C telephoto prime lenses. Although Sigma designed it to work with full-frame cameras, it’s also compatible with APS-C sensors. In addition, its substantial f/1.4 aperture is advantageous when shooting in poor lighting conditions while achieving an extremely shallow depth of field. The label ‘A’ signifies that it belongs to the ‘Art’ category of lenses, a prestige line of Sigma lenses.

Sigma, 35mm Art, comes with a Hyper Sonic Motor (HSM), ensuring a fast, precise, and refined autofocus. The f/1.4 DG HSM has One F-Low Dispersion (FLD) element and four Special-Low Dispersion (SLD) elements that reduce color fringing and chromatic aberration. As a result, it provides improved clarity and color accuracy in pictures and videos. Unlike its predecessors, this lens has an all-metal barrel with a metal mount. As a result, it is, surprisingly, not as bulky and heavy as its Sony counterpart.

This Sigma lens could be a significant value-for-money product for professional portrait photographers. Because the lens has a brass bayonet mount and a thermally stable composite, it will last a lifetime. The TSC (thermally stable composite) has 25% greater elasticity than polycarbonate, which further contributes to the high-precision construction of the lens. The 35mm focal length also makes it perfect for street photography. It is also well-suited for portrait photography and event photography. You can get a Sigma 35mm f/1.4 Art for under a thousand dollars.

4. Sony FE 85mm f/1.8

The Sony FE 85mm f/1.8 is a small, light lens weighing only 371 grams. Because of its lightweight design, it is portable and easy to handle in real-world settings. Moreover, it produces a smooth bokeh effect that does not detract from the subject’s focus on the background. Even in low-light circumstances, the big F1.8 aperture offers good image quality.

It has a dual linear motor system for precise, quiet operation, making it excellent for filmmaking. The lens has a circular 9-blade aperture that produces a lovely defocus appearance. Like other Sony lenses, it contains a focus hold button that may be customized and an AF/MF switch. This lens, however, lacks built-in optical image stabilization. Sony’s current cameras include image stabilization technology built into the body.

The lens is well-made and ergonomically designed. The big focus ring reacts swiftly and is grippy enough to allow seamless use. Because of the unique Extra-low Dispersion (ED) glass elements, chromatic aberration is nearly invisible. Moreover, its dust and moisture-resistant design and other enhancements make it suitable for almost every weather situation (according to Sony, you may use this lens in light-rain and windy conditions). The Sony FE 85mm F1.8 is a mid-range telephoto prime lens designed for additional sharpness and clarity in portrait photography. You can also use it for landscape and architectural photography. You can acquire it for a little more than $500.

5. Sony FE 70-200mm F2.8 GM II OSS

The Sony FE 70-200mm F2.8 GM II OSS is an excellent telephoto zoom lens. The consistent F2.8 aperture over the focal length range is a remarkable achievement. Its big aperture and maximum focal length allow you to photograph distant objects even in low-light circumstances while producing pleasing bokeh.

The G Master design and technology provide unrivaled rendering capabilities and rapid and precise AF. It has innovative double linear and ring Super Sonic Motor (SSM) actuators that give the power and precision needed for autofocusing in stills and videos for this heavy/full-size lens. In addition, it can handle close-up images in complex settings because of the built-in optical image stabilization.

The lens includes an Extreme Aspherical (XA) element, which contributes to the lens’s exceptional resolution and bokeh. It can also provide realistic images thanks to four and two Super ED glass elements. These components further minimize chromatic aberration to obtain optimal solutions across the focal length range. In addition, it has a very short minimum focusing distance of 0.40 meters, which is excellent for a 70-200mm lens.

It is sure to break down barriers in terms of close-up performance. A focus mode switch, a focus range limiter, a focus hold button, a shaking compensation switch, and a shake compensation mode switch are among the physical features. As a result, for wildlife photography, I recommend the Sony FE 70-200m. It is available for purchase online for somewhat less than three thousand dollars.

6. Tamron 28-75mm F2.8 Di RXD lll

Only Sony Alpha-E mount cameras may use the Tamron 28-75mm F2.8 Di RXD III (Model A036) lens. Because of its practical focal length range and constant F2.8 aperture, this lens has long been in high demand.

This lens, too, lacks built-in image stabilization. Instead, Tamron’s BBAR (Broad-band anti-reflection) coating is applied to the lens’s surface, which decreases ghosting and flare while maintaining clear image clarity. Furthermore, this Tamron lens incorporates a revolutionary high-speed precision AF drive system with an RXD (Rapid extra-silent stepping Drive) motor unit. The AF motor is quick, precise, and remarkably quiet.

The nine-blade circular aperture generates flawlessly round-defocused lighting and excellent background bokeh. The construction quality is excellent, with all the necessary weather sealings to keep moisture and dust out of your equipment. It is perfectly matched for vivid image quality, outstanding bokeh, compact size, and reduced weight.

The 28-75mm focal length is helpful for everyday photography, but it’s perfect for portrait, street, and event photography. This lens is ideal for photojournalists and other members of the media. However, it might also be used to capture landscapes and cityscapes. It can be purchased for less than a thousand dollars.

7. Tamron 70-180mm F2.8 Di III VXD

Only Sony Alpha-E mount full-frame mirrorless cameras may use the Tamron 70-180mm F2.8 Di III VDX telephoto prime lens for Sony a7C. On the other hand, the big, continuous F2.8 aperture across the zoom range ensures good image quality at even longer focal lengths.

In addition, Tamron’s newly developed VDX (Voice-coil eXtreme-torque Drive) linear motor focus mechanism offers super-fast autofocus with precise and silent metering. Furthermore, its floating autofocus technology performs admirably at all focal lengths.

It just weighs 810 grams, which is astounding for a telephoto zoom lens, and it turns out that it does wonders for any full-frame mirrorless camera in the long term. Because it lacks vibration control, this lens relies on the host camera body for optical image stabilization. As a result, Tamron claims this lens boasts the fastest autofocus speed and precision in its 70-year history. In addition, the new BBAR-G2 (Broad-Band Anti-Reflection Generation 2) coating effectively decreases ghosting and flare.

It also aids in the even rendering of subjects in backlighting settings. This lens also incorporates weather-resistant sealing around the barrel to protect your equipment from the elements. This high-quality telephoto zoom lens is excellent for wildlife and event photography. It is available online for more than a thousand dollars, making it a good and less expensive option for the Sony FE 70-200mm F2.8 GM OSS.

8. Sony FE 24mm f/1.4 GM

It is strongly recommended! The Sony FE 24mm f/1.4 GM telephoto prime lens for Sony a7C is a fast, adaptable lens that combines a popular wide-angle focal length with an unusually brilliant design. It’s ideal for landscape, nature, and street photography.

This lens is incredibly sharp across the frame, even wide open at its maximum aperture of f/1.4. The bokeh is exceptionally smooth and has a fast, precise AF drive, top-tier control, and reliability, making it an excellent choice for professionals. Its wide-but-usable field of view is matched by the f/1.4 maximum aperture, which excels in low-light circumstances while also providing greater control over the depth of field.

The Sony FE 24mm f/1.4 GM lens comprises 13 lens elements organized into ten groups, including two XA (extremely aspherical) elements that effectively eliminate sagittal flare and three ED (extra-low dispersion) elements that reduce chromatic aberrations. As a result, this prime wide-angle lens produces consistently high-quality images, making it suitable for landscape and architectural photography.

The glass elements are additionally Nano AR-coated to reduce lens flare and ghosting, boosting image contrast and color accuracy even in low-light situations. This Sony FE 24mm f/1.4 GM lens will be an excellent choice for pros, thanks to its clean bokeh, fast and precise AF, and top-tier control and reliability.

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