The Best Video Lenses for Sony a7C, a7C II, a7CR In 2023


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Are you looking for the Best Video Lenses for Sony a7C? Here is the guide for you to get the top-recommended Sony a7C E-mount Video Lenses.

Best Sony a7C Video Lenses

DSLR and mirrorless cameras have supplanted most of the consumer video camera market. The Sony A7C is one of these cameras that, when combined with the appropriate lens, is ideal for videographers. So which lens should you invest in for your video projects? We’ve recommended the best video lenses to buy based on the type of images you wish to take.

The first step in producing films for fashion or tech channels, interviews, or even a documentary is selecting the correct lens for your DSLR camera. Because photography and videography are all about optics, one could argue that lenses, rather than the camera itself, account for most of what makes a video excellent. The kit lens with your DSLR is fine for beginner photography, but it won’t successfully capture your story for professional movies.

When selecting the right lenses for your project, there are two crucial factors: focal length and aperture. The focal length of most lens categories varies, or how near a subject appears in millimeters. For example, a human eye is equivalent to 30mm to 50mm, although a telephoto lens (which brings distant objects closer) can be up to 500m, and a wide-angle lens can be about 10mm.

A large aperture, the hole that allows in light and is measured by the f-stop, can sometimes distinguish a lens type. With a larger aperture, more light will enter, giving you a higher chance of obtaining amazing video indoors in low-light conditions. On the other hand, because the lens has a short depth of field, you can’t focus on as many objects at varying distances with a wide aperture. As a result, the topic will remain sharp, but the backdrop will become hazy.

Without further ado, let us tell you about the best video lens for your Sony a7c.

1. Sony Sonnar T* FE 55mm f/1.8 ZA [E-Mount, Full Frame]

The Carl Zeiss Sony Sonnar T* FE 55mm offers the best resolution and contrast with a lens for a full-frame Sony E-mount camera. In addition, this lens has a T* coating for a better optical design that reduces internal lens reflections for increased Contrast from highlights and deep blacks.

This Sony lens features a high maximum aperture of F1.8 for ideal full-frame background fading with expanded depth-of-field capability. This lens performs admirably in both bright indoor and low-light outdoor scenarios, with internal focusing that is both silent and smooth.

2. Rokinon 50mm F1.4 Lens [E-Mount, Full Frame]

The Rokinon 50mm lens is a high-performance prime 50mm lens that fills the gap between the 35mm and 85mm lenses in Full Frame Format. This lens stands out thanks to its high-speed f/1.4 maximum aperture, which allows for highly rapid shutter speeds, superior low-light shooting, and shallow depth of field control.

Because this lens is intended for APS-C sensors, there will be no cropping of your original frame. Although autofocusing is convenient in some shooting scenarios, you’ll realize that manual focusing is effortless.

While this lens is not lightweight, it provides clarity and sharpness that are difficult to find at this price.

3. Sony 10-18mm Wide-Angle Zoom Lens [E-Mount, APS-C]

Sony 10-18mm F4.0

The Sony SEL1018 produces breathtaking photos that highlight perspective or the ability to record expansive vistas with a wider minimum focal length than most wide-angle zoom lenses. In addition, this lens incorporates Optical SteadyShot image stabilization technology to produce sharp photos even at maximum zoom.

The built-in gyro sensors in the lens-based optical image zoom detect even minor movement, providing quiet and effective stabilization for high-quality films. It also has aspherical lens elements, ED glass, a circular aperture to eliminate aberrations, ghosting, and flares, and a distance encoder for accurate flash metering.

4. Rokinon FE 14mm F2.8 Ultra Wide Fixed Lens [A-Mount, Full Frame]

Rokinon 14mm F2.8

The Rokinon FE14M-S 14mm F2.8 lens is an aspherical wide-angle lens developed for full-frame cameras. However, it may also be used with APS-C sensors. This lens incorporates two ED lenses, one glass aspherical lens, and one hybrid aspherical element to decrease aberrations and distortions at any focal length significantly.

The Super Multi-Layer coating eliminates image ghosting and flares. This Robinson lens provides an astounding 114-degree field of vision on full-frame cameras. Robinson has a reputation for superb quality and construction at a fraction of the price of other lenses. This is the best quality economically priced 14mm lens on the market.

5. Sony 24-70mm f/4 Vario-Tessar T* FE OSS [E-Mount, Full Frame]

The Carl Zeiss Vario-Tessar T* FE 24-70mm F4 ZA OSS is a full-frame Carl Zeiss mid-range zoom lens having a focal range of 24mm to 70mm with a constant maximum aperture of F4 for consistent exposures at all focal lengths. Zeiss lenses are known for their quality and dependability, and this lens is no exception.

This lens features a circular aperture for a “bokeh” blurred background effect without using polygonal-shaped defocused points of light and ED glass to reduce chromatic aberrations and poor color quality for longer focal lengths. Despite its superior technology, this lens is lightweight and compact, allowing for sharp photographs at any focal length.

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6. Sigma 17-50mm f/2.8 Lens [A-Mount, APS-C]

Sigma’s famous 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens has a focal length of 17mm wide-angle to a large aperture of F2.8 for a total zoom range suitable for a variety of filming applications. In addition, this lens has Sigma’s ground-breaking anti-shake technology, allowing shutter speeds up to four stops slower than would otherwise be feasible. At the same time, the HSM provides fast, quiet autofocusing.

The FLD glass components of the lens, coupled with two glass molds and one hybrid aspheric lens, provide better correction for a wide range of aberrations. In addition, Sigma employs a Super Multi-Layer coating to reduce ghosting and flare in videos.

With a compact and lightweight design, Sigma’s large-aperture standard zoom lens performs well even in low-light circumstances.

7. Sigma 18-35mm F/1.8 APS-C Lens [A-Mount, APS-C]

Sigma 18-35mm F1.8

The Sigma 18-35mm is well-known for its fast zoom, excellent image quality, and prime-level quality in the quickest zoom available for SLR cameras. While the lens’s 28-50mm equivalent range limits its performance, it boasts a robust body that isn’t too hefty and silent and has fast auto-focus.

If you need a wide-ranging zoom, this isn’t the lens for you, but it provides the highest image quality with a standard zoom. It was also the first wide-angle, normal-zoom lens with a huge aperture of 1.8.

The 18-35mm 1.8 DC HSM is a broad glass molded aspherical lens with Special Low Dispersion glass to eliminate curvature and aberrations even at the widest angle of view. Internal and automatic zoom and focus enhance functionality.

8. Rokinon 35mm T1.5 Aspherical Cine Lens with De-Clicked Aperture [E-Mount, A-Mount, Full Frame]

The Rokinon Cine CV35-S 35mm Cine Lens is developed for DSLR and cinematographers with videography-specific features. This lens has a de-clicked aperture, so there will be no hard clicks while changing apertures. Furthermore, to focus and use the gap without halting photography, the gap can be manually set to a specified value, such as f/2.8, with follow-focus compatibility.

At around $500, the Rokinson Cine lens is one of the most economical professional cinematography lenses available, with reviewers favorably comparing it to more expensive Zeiss lenses. In addition, the lens produces no lens noise and has superb low-light footage with no video artifacts. In both settings, this 35mm lens enables standard distance shots and close-ups with background blur.

9. Sony FE 70-300mm F4.5-5.6 G OSS Lens [E-Mount, Full Frame]

The Sony FE G Series Telephoto Lens is designed to provide excellent telephoto zooming while preserving image quality. This lens has a cutting-edge optical design with four aspherical glass elements to reduce spherical aberration, two ED glass elements, and a Nano AR coating to reduce distortion and chromatic aberration— visual SteadyShot image stabilization for excellent high-resolution videos and stills, even at full telephoto zoom.

Built-in Optical SteadyShot eliminates camera shake, which is especially important in low-light, close-up, and telephoto photography, where camera shake may severely degrade image quality. In addition or speedier operation, the lens has a convenient on/off button to operate the SteadyShot image stabilization.

The lens’s exterior is made of a metal barrel with sealed rings and buttons to prevent moisture and dust penetration and provide the most outstanding performance possible, even outside circumstances. The focus hold button, focus mode switch, Optical SteadyShot switch, zoom lock switch, and focus range limiter are among the buttons and controls that allow you to control the lens’s characteristics directly.

10. only SAL-16F28 16mm f/2.8 Fisheye Lens [A-Mount, Full Frame]

Sony 16mm f/2.8

The Sony SAL-16F28 16mm Fisheye Lens provides exceptional clarity and a unique perspective on events, crowds, and landscapes. His lens boasts a 180-degree field of view and excellent corner-to-corner sharpness, allowing you to see fine details from only eight inches away. n addition, this lens has a 110-degree field of view and a focal length of 24mm when placed on a Sony Alpha DSLR camera.

It provides an exaggerated perspective with a fascinating visual distortion to bring objects closer to the focal plane, as with any fisheye lens. y spinning the lens dial, you may select one of four built-in filters: Normal, 056 to emphasize Contrast in black-and-white videography, B12 to correct color and minimize red tones, or A12 to eliminate blue tones.

The circular aperture on the Sony SAL-16F28 Fisheye lens defocuses the background producing a blurred “bokeh” appearance. Unlike regular aperture blades with flat sides, which result in polygonal-shaped defocused light spots, this lens features a one-of-a-kind construction that keeps the aperture circular. t also has Extra-low Dispersion glass to prevent chromic aberration, which results in poor color quality and clarity. n addition, the aspherical lens design minimizes spherical aberrations while reducing lens weight and size.

11. Sony FE 16-35mm f/4

It was released in 2014 as the first wide-angle lens for Sony FE hybrids: altogether, it offers excellent optical performance and is a fantastic lens for landscape photography and video. t produces images with exceptional sharpness, low vignetting, fast focusing, tolerable distortion, and excellent manufacturing quality.

Unlike the 16-35mm f/2.8 GM below, the f/4 lacks an AF/MF button and is significantly less expensive. o if you’re torn between the two and question if it’s worth moving to the 16-35mm f/2.8 GM, let’s say it comes down to your budget and whether you want to film professional videos. But, hey, these are fantastic wide-angle lenses that will not disappoint you.

12. Sony FE ZEISS SONNAR 55mm f/1.8

One of Sony’s best-selling full-format hybrid lenses. His focal range best suits street photography, portraiture, and landscapes. t boasts excellent build quality, with a matt black covering comparable to that of the A7 housings, and it is dust and moisture-resistant. t is one of the lightest objectives in our ranking and one of the least cumbersome; it can be readily taken everywhere. T’s autofocus is silent, fast, and precise, even in low light.

The sharpness of this 55mm f/1.8 lens is particularly impressive: the photographs you receive are very crisp and rich in detail (it ranks in the top 5 on

How about the 50mm f/1.8 lens? although it is marketed meagerly, its autofocus is poor, and the 55mm f:1.8 is superior. Thus it is preferable to save money to purchase it. n the other hand, the Sony Zeiss FE 50mm f/1.4 Planar T* provides slightly outstanding performance (e. g. significantly softer bokeh) but not enough to warrant the significant price difference.

The 55mm f/1.8 is the most excellent lens for shooting videos with your Sony full-frame hybrid camera in terms of quality/price.

13. only 24mm f/1.4

The Sony 24mm f/1.4 GM is one of the most incredible 24mm lenses available from any camera manufacturer: it’s exceptionally sharp from corner to corner, very compact, light, and discreet, and has excellent low-light performance. So if you photograph a lot at night, you’ll enjoy this lens. His quality is excellent (like with all GM lenses, it is weather sealed), and the autofocus works quite well, making it ideal for capturing films. n addition, the aperture of f/1.4 produces a very nice background blur.

On the negative side, it is costly, but if you work with your camera, it is an investment that will rapidly pay off. f you can only afford one high-priced wide-angle lens for your Sony A7C, this one is highly recommended.

14. only 35mm f/1.8

Sony FE 35mm F1.8

The Sony 35mm f/1.8 is an intriguing option for Sony A7C users who want to capture video: it has excellent optical performance, a wide focal range, and is compact and discreet. Ven under challenging settings, autofocus is lightning-fast. n addition, the build quality is perfect in the hands. Except for the lack of Optical Steady Shot (OSS), it has no serious flaws.

Its small weight of about 280 g is undoubtedly one of its advantages since it is very discreet and enjoyable to use, and it fits easily into any camera bag.

If you’re searching for a travel lens for filming, I highly recommend it.



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