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Best Wide-Angle Prime Lenses for Sony a7C

For quite some time, I’ve been fascinated with photography, particularly wide-angle lenses. On our website, we’ve already written comprehensive articles about the finest Best Ultra-Wide Angle Prime Lenses for Sony a7C. Following this article, I’ll concentrate on the finest Sony wide-angle lenses for mirrorless cameras in this piece.

As a result, I’ll solely highlight Sony E-mount Wide-Angle Prime lenses, which are designed for mirrorless cameras (and not the A-mount). Some of these lenses are previously mentioned in the post on mirrorless lenses, but I’ll take it a step further here and provide you thought that, perhaps, will help you pick the best Sony wide-angle lens for you, based on your preferences, budget, and requirements.

We’ll concentrate on wide-angle lenses, which are particularly popular among landscape and architecture photographers. Wide-angle lenses provide large fields of vision, giving the landscape in front of you a sense of grandeur and vastness. They’re also excellent indoors when you don’t have a lot of space and want to capture the entire scene right in front of you.

Best Wide-Angle Prime Lenses for Sony a7C

1. Sigma 14mm f/1.8 DG HSM Art

21 new from $1,276.94
8 used from $838.00
as of October 1, 2022 7:18 am


  • Large diameter delivering f/1.8 brightness
  • Beautiful bokeh effect, and outstanding control of light streaking
  • Ultra-wide angle of view
  • Super multi-layer coating helps reduce flare and ghosting
  • Large HSM (Hyper-Sonic Motor) delivers ample torque to the focusing group for outstanding speed, ensuring exceptionally stable performance even at lower speeds

The Sigma 14mm f/1.8 DG HSM Art is the first lens on our list. Sigma is a third-party lens maker that makes lenses for a variety of camera manufacturers, including Sony. Although utilizing third-party equipment was originally considered a less desirable alternative, today’s lenses are of exceptionally high quality and are well regarded.

The 14mm f/1.8 lens is stunning in every way; the 14mm focal length is ideal for architecture and landscape photography, and the f/1.8 aperture aids astrophotographers in capturing the night sky. For more in-focus regions, you may always narrow the aperture.

This lens was created specifically for mirrorless systems, which means it connects with the cameras seamlessly. All of Sony’s autofocus functions are retained in this lens, making it a breeze to operate.

The lens is dust and splash-proof, ensuring that it is free of pollutants in your shooting environment.

2. Sony FE 16-35mm f/4

3 new from $998.00
63 used from $619.00
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as of October 1, 2022 7:18 am


  • Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce flare and ghosting
  • Minimum Focus Distance: 0.92 feet (0.28 m), Maximum Magnification ratio: 0. 19x, Focal-Length: 5/8 - 1-3/8 Inches
  • Three ED glass elements suppress chromatic distortion, constant F4 maximum aperture throughout the zoom range
  • Built-in Optical Steady Shot image stabilization, dust and moisture resistant design
  • Angle of View (35 mm)107°-63° Angle of View (APS-C) 83°-44°. Weight- 18.3 ounce.Optical Design : 12 Elements in 10 Groups

The 16-35mm f/4 Sony E-mount lens is the next wide-angle Sony E-mount lens. Landscape photographers would benefit greatly from this lens. However, with a minimum focus distance of 0.92 feet, it may be used for a variety of other tasks.

It contains built-in stabilization to reduce the effects of camera shaking on image quality. Additionally, the lens is dust and moisture-resistant.

The photographs captured with this lens are clear and rich in detail, thanks to its f/4 aperture. Its excellent optics produce breathtaking visuals. However, due to its aperture, it would be unsuitable for photographing in low light. However, it may compensate for this by providing edge-to-edge sharpness, which means that even if your subject reaches the corner, it will remain as crisp as if it were in the middle of the frame.

This lens is ideal for photographers who want to capture wide-angle perspectives with high-quality detail.

3. Sony FE 12-24mm f/4 G

10 new from $1,773.00
11 used from $1,225.00
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as of October 1, 2022 7:18 am


  • G Lens design for corner-to-corner high resolution
  • Maximum magnification ratio (x) :0.14.Premium Optics; 4 aspherical, 1 Super ED, 3 ED glass elements
  • Constant F4 max aperture maintains exposure and Depth of field
  • 7-blade circular aperture contributes to beautiful bokeh
  • Direct Drive Supersonic Wave motor for fast, quiet, precise focus

It has a G Lens that ensures sharpness from corner to corner and minimum vignetting.

In addition, the lens offers an f/4 starting aperture range. The continuous aperture is a great feature on many Sony lenses, including this one. That is, if you set your aperture to f/4 when shooting at a wide-angle of 12mm and then expand your focal length to 24mm, the aperture will remain at f/4. Because not all lenses are capable of this, Sony lenses earn bonus points for possessing it.

The 7-blade circular aperture is an intriguing feature of this lens. This gives the impression of a soft, attractive bokeh. In our opinion, this is a big bonus.

The internal mechanics of the lens allow it to be rapid while being silent. We wouldn’t be doing this lens justice if we didn’t note how small and light it is. It only weighs 1.25 lbs.

4. Sony 28mm f/2

11 new from $448.00
32 used from $239.00
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as of October 1, 2022 7:18 am


  • A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical performance in a wide 28mm focal length, Bright F2 maximum aperture
  • Angle of view (35 mm)75 °,Angle of view (APS-C) 54 °.Minimum Focus Distance : 0.96 ft(AF) / 0.82 ft(MF) (0.29 m(AF) / 0.25 m(MF)), Maximum Magnification ratio : 0.13x(AF) / 0.16x(MF), Focal Length : 28 mm
  • Dust and moisture resistant design, 9-blade circular aperture contributes to gorgeous bokeh, ED glass with multi‐coating reduces flare and ghosting
  • Compact and lightweight design matches a7 series beautifully, A linear actuator focusing mechanism for smooth and quiet AF, Compatible w/ ultra-wide and fisheye converter lenses
  • Mounting Type: Sony E

The 28mm f/2 is Sony’s fourth wide-angle E-mount lens. This lens is the best bang for your buck if you’re purchasing on a budget. Even if you aren’t on a budget, this lens will serve you well. This lens’ optics are just fantastic, and it is the most economical alternative.

And I say this based on my own shooting experience with it. IT’S MY GO-TO LENS when I’m shooting with my A7r III.

It delivers fantastic images in a variety of shooting conditions, from street photography to lifestyle shots and landscapes, thanks to its 28mm focal length and brilliant f/2 aperture. The lens features a 9-blade circular aperture, which helps to create the soft bokeh effect that you desire in your portrait photos.

It’s also compatible with Sony’s a7 series cameras, as well as 35mm full-frame E-mount cameras.

With its tiny and lightweight construction, this lens not only produces great photographs but is also easy to carry. It’s a professional tool for photographers that’s quick, simple to use, and creates high-quality portrait and landscape shots.

5. Sony E-Mount 20mm f/2.8 

8 new from $348.00
30 used from $241.00
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as of October 1, 2022 7:18 am


  • Superior Image Quality
  • Minimum Focus Distance : 0.66 feet (0.2 m), Maximum Magnification ratio : 0.12x
  • Focal Length- 20 mm, Compact Length; Lens not Zoomable
  • Superb value and performance. Angle of View (APS-C) -70°. Maximum aperture (F) - 2.8. 35 mm equivalent focal length (APS-C) - 11.82 inch
  • Broaden your view with a wide angle: From a vast cliff to a stretching sandy beach, fit everything in with a 20 mm wide angle. Angle of View (APS-C): 70°

It’s another budget-friendly lens on our list, which will delight the frugal. If you want small, compact lenses, this is the tiniest and most compact lens on the list that nevertheless produces excellent image quality!

Image stabilization isn’t available with this lens, but for such a wide-angle lens, that’s not a major concern. The larger the lens length, in this example 20mm, the less of an influence camera shaking has on the image quality.

The absence of distortion created by this lens has been praised by consumers. Have you ever seen a landscape photographed from a wide perspective with a curved horizon? This lens does a good job of minimizing, if not completely eliminating, distortion. Lens distortion is, of course, simple to fix in post-production. It’s even better if you can do it in front of the camera!

6. Sony 10-18mm f/4 OSS

9 new from $698.00
83 used from $461.00
Free shipping
as of October 1, 2022 7:18 am


  • Angle of View (APS-C) - 109 ° – 76 °
  • Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
  • Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
  • Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
  • In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap

The focal length of this lens ranges from a minimum of 10mm to a maximum of 18 mm, giving it an extremely wide-angle view. This lens’ aperture ranges from f/4 to f/22. For landscape, street, and real estate photography, that’s a sufficient range. Keep in mind, though, that f/4 isn’t always the optimal aperture for low-light circumstances. If you find yourself in one of these circumstances, you’ll need to carry some external illumination to help you with your photography.

The 10-18mm lens will ensure that your photographs have a variety of dramatic and unique angles. Furthermore, your photographs will be clear and crisp. What more could you want?

7. Sony Zeiss 24mm f/1.8

6 new from $798.00
14 used from $319.95
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as of October 1, 2022 7:18 am


  • Employs the legendary "Sonnar" optical design for standout image dimensionality and presence
  • Seven aperture blades form a near circle, which results in a pleasing defocused effect on the background of your image when the aperture is set wide open
  • Allows for 1/4 macro shooting with accurate focus as close as 6.2 inches (16cm)
  • Direct Manual Focus (DMF) allows for direct manual focusing after autofocus lock-on without having to switch modes
  • Lens operation is fast but at the same time smooth and quiet, minimizing noise and image jitter when shooting movies

The Zeiss 24mm 1.8 is the next wide-angle Sony E-mount lens. The Sonnar optical technology was used to create this lens, which increases picture dimensionality and presence.

The wide aperture of f/1.8 is what we admire about this lens. There are a few essential reasons, but the primary ones are the advantages of bigger apertures.

At f/1.8, you’ll get a stunning shallow depth of field photograph with excellent subject separation. Not only that, but f/1.8 can go all the way up to a deep depth of field when necessary, giving you a lot of options. The brilliant f/1.8 aperture allows in a lot of light for low-light shooters, allowing you to make the most of the available light.

Furthermore, you can photograph 1/4 macro with this lens. This means you can focus on your topic from as near as 6.2 inches away, allowing you to make the most of tight spaces.

The focal length of the Sony 24mm lens is fixed. It features a manual focus and operates quickly, smoothly, and quietly. This lens is a good alternative for photographers who want a fixed focal length with good performance.

8. Sony Alpha 16-55mm f/2.8 G

9 new from $1,398.00
17 used from $799.00
Free shipping
as of October 1, 2022 7:18 am


  • Standard zooms with outstanding corner-to-corner G lens resolution
  • Constant F2.8 Max aperture maintains exposure and depth of field
  • Two advanced aspherical plus two aspherical elements suppress aberration
  • Xd linear motor for fast, precise, quiet AF and tracking
  • 9-Blade circular aperture contributes to gorgeous book

Although this is a pricey lens, the adaptability is well worth the money. The Sony Alpha 16-55mm f/2.8 G is notable for maintaining a constant f/2.8 aperture throughout its zoom range, ensuring brilliant images. Despite the fact that the longer side of this lens is no longer a wide-angle (wide angles cease at 35mm), it nevertheless covers the whole range of 16-35mm.

This makes the lens extremely adaptable since it might be the only lens you bring with you on vacation! As with the G lenses, this lens features good corner-to-corner resolution and a superb internal mechanism to prevent chromatic aberration. In high contrast photography, chromatic aberrations are the neon outlines on your subject.

If you want to dabble in street photography with a wide-angle lens, this lens’ autofocus is also quite quiet, keeping you unobtrusive.

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