Best All-in-One Lenses for Sony a7C. Here is our full list of the top recommended E-mount all-around lenses for the Sony a7C mirrorless camera.
Best Sony a7C All-in-One Lenses
Tamron 28-200 F/2.8-5.6 Di III RXD
for Sony Mirrorless Full Frame/APS-C E-Mount
Sony FE 24-240mm f/3.5-6.3 OSS
Zoom Lens for Mirrorless Cameras
Sigma 24-70mm F2.8 DG DN Art
Zoom Lens For Sony E-Mount
Tamron 28-75mm F/2.8 Di III RXD
Full Frame E-Mount Lens for Sony
Sony E-Mount Camera Lens: FE 24-70 mm F2.8 G
Master Full Frame Standard Zoom Lens
Sony FE 24-105mm F4 G OSS
Standard Zoom Lens
The Sony a7C is the world’s smallest and lightest full-frame camera, offering all of the power and performance of a full-frame camera in a body that is more equivalent to an APS-C camera. The Sony a7C is available now. The Sony a7C is equipped with a 24.2MP Exmor R BSI CMOS sensor and a BIONZ X image processing engine, which allows it to achieve high sensitivity and low noise with an impressive ISO range of 50 to 204800 and a massive 15-stop dynamic range.
It is also capable of fast continuous shooting at up to 10 frames per second at full resolution with full-time AF/AE when using either a mechanical shutter or an electronic shutter, and it supports UHD 4K It also contains a Fast Hybrid AF system, which employs 693 phase-detection points and 425 contrast detection regions to provide rapid, intelligent, and precise focusing performance, as well as support for Real-time Eye AF and Tracking Autofocus technology. In-body image stabilization has been significantly reduced in size while maintaining excellent 5-step stabilization.
This allows you to take photographs and film videos without having to worry about camera wobble, regardless of the connected lens, and without the need for a tripod or gimbal. As a result, the Sony a7C is intended for photographers and videographers who want full-frame quality and performance, but who also want a small, lightweight camera that they can carry with them everywhere they go and use for any sort of image or video creation.
1. Tamron 28-200mm f/2.8-5.6 Di III RXD
With a maximum aperture of F2.8 at the 28mm wide-angle end, the Tamron 28-200mm F2.8-5.6 is the first all-in-one zoom lens in the world to achieve this feat. With a wide range of focal lengths spanning from 28 to 200mm, this Tamron lens is suited for a variety of photographic situations, from wide-angle landscape photography to close-up and compressive compositions at telephoto. The quick maximum aperture of f/2.8 produces stunning image quality, which contributes to the camera’s ability to be used for a wide range of photography applications.
The Tamron 28-200mm f/2.8-5.6 optical architecture comprises 18 elements in 14 groups, with LD (Low Dispersion) and XLD (eXtra Low Dispersion) lens elements used in the lens design. They are carefully organized to assist minimize and suppressing chromatic aberrations, resulting in high-quality pictures with edge-to-edge clarity that are crisp and clear from start to finish. At its widest focal length, the lens has a Minimum Object Distance (MOD) of 0.19m and a magnification ratio of 1:3.1, making it ideal for close-up photography.
At its longest focal length, the lens has a Minimum Object Distance (MOD) of 0.8m and a magnification ratio of 1:3.8. It has a length of 4.6 inches and a weight of 20.3 ounces, and it can accommodate filters with a diameter of 67mm. The lens’s incredibly small size, lightweight, and affordable price made it instantly popular with photographers all over the world…
2. Sony FE 24-240mm f/3.5-6.3 OSS
The Sony FE 24-240mm f/3.5-6.3 OSS lens, which is capable of covering everything from wide-angle to telephoto in a single compact form factor, is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events. It is ideal for landscape, snapshots, portraits, and travel photography, and it is particularly well suited for landscape photography.
With the ability to change lenses quickly from wide-angle to telephoto without having to swap lenses, more of those fleeting moments that make for beautiful photographs will be caught. With an aperture that ranges from f/3.5 to f/6.3, the lens can be kept as small and light as possible while yet providing an amazing 10x zoom range. Additionally, it is equipped with a linear autofocus motor and an internal focus architecture that allows for quick, accurate, and dependable focusing.
Built-in Optical SteadyShot picture stabilization, which lessens the impact of camera shake, is another advantage of the camera. This is especially true at longer lens lengths. The lens is also dust and moisture-resistant, allowing it to be used under less-than-ideal operating situations. Overall, it is a fairly priced and extremely convenient option for those on a tight budget, and it is an acceptable answer for those on a tight budget.
3. Sigma 24-70mm f/2.8 AF DG DN Art
The Sigma 24-70mm f/2.8 ART lens is an outstanding must-have for every photographer’s collection. It’s my go-to lens when it comes to shooting trip stuff, and I also use it for portraiture. It is built for full-frame Sony cameras, so if you want to upgrade to one in the future, the Sigma 24-70mm f/2.8 ART is an excellent pick.
The Sigma 24-70mm f/2.8 ART lens captures still photos of exceptional quality. Sharpness and contrast are excellent across the whole focal range, even when shooting at the widest aperture possible. This makes it possible to capture detailed wide-angle landscape images.
Furthermore, this Sigma lens is incredibly adaptable, which means that you can use it not only for shooting landscapes but also for taking gorgeous portraits with a bokeh effect, owing to the high aperture that goes down to F/2.8 and the wide range of focal lengths available.
One further outstanding characteristic of this lens is its quiet and lightning-fast autofocus system. This accuracy allows the photographer to catch moving subjects without any delay since the autofocus is approximately 100 percent precise. Children, moving animals, and city life are all good subjects for this type of photography.
Aside from that, the Sigma is equipped with in-built image stabilization, which is particularly useful when shooting in low light conditions, when higher ISO settings or a slower shutter speed are required. As a result of this feature, Sigma is an excellent low-light performer.
Overall, the Sigma 24-70mm f/2.8 ART is one of the greatest Sigma all-rounder lenses available for Sony full-frame digital cameras. Because of its versatility, excellent quality, and fast focusing, this all-around lens is one of the best all-in-one lenses for the Sony a7c on the market.
4. Tamron 28-75mm F/2.8 Di III RXD
Especially when zoomed in to the maximum, the Tamron 28-75mm F/2.8 creates photos of exceptional clarity and contrast, even when used with a wide-angle lens. Because of the high-quality glass used in the construction of this lens, common lens aberrations like ghosting, chromatic aberration, and flare are minimized to a bare minimum. The Tamron lens is prone to slight color fringing and vignetting in the corners of the frame, although these may be readily eliminated using the in-camera menu or editing tools such as Lightroom or Photoshop Elements.
While the Sony-owned FE 28-70mm F/3.5-5.6 lens is a strong competition, this Tamron lens maintains a consistent aperture across the whole zoom range. This is a fantastic feature that enables more diverse use, such as in portrait shooting, where it is very useful. As a result of the lens’s fast aperture, you will be able to capture portraits with a nicely defocused backdrop while still shooting in low-light conditions.
With its fast aperture and decent zoom range – covering wide-angle to short telephoto – this lens is a fantastic all-arounder that isn’t going to break the budget.
One of the minor drawbacks of this lens is the lack of in-body image stabilization, which is not a problem owing to the Sony a7c specifications, which have a 5-axis image stabilization system.
Overall, the Tamron 28-75mm F/2.8 is a fantastic value-for-money lens for the Sony a7 series. It’s impossible to go wrong with Tamron if you’re searching for a flexible lens that can capture high-quality landscape and portrait photographs at an affordable price.
5. Sony FE 24-70mm f/2.8
It is typical for professional photographers to purchase a number of prime lenses in order to satisfy the demands of their trade.
A wide-angle, a portrait lens (see out the finest Sony portrait lenses), and even a mid-range macro lens are all included in one compact package with the Sony FE 24-70mm F2.8 GM lens. This makes it a viable option among the finest lenses for the Sony A7C camera from a purely budgetary basis.
When you consider the three lenses that it covers, you are getting more than you would receive by purchasing three prime lenses separately. This lens is popular with everyone from wedding photographers to journalists.
The Sony FE 24-70mm F2.8 GM lens is a one-of-a-kind optical design. The ED and Super ED glass components produce results of exceptionally high quality. With its two aspherical parts, it was also able to reduce aberration. A nano AR coating is applied on top of this, which allows for higher light transmission, resulting in enhanced clarity and overall contrast.
Construction-wise, you get a dust- and moisture-resistant build that allows you to utilize it in a variety of settings and circumstances. However, some customers have reported that the zoom rubber comes off when the device is used in a hot climate.
6. Sony FE 24-105mm F4 G OSS
Photography enthusiasts who wanted to purchase a Sony lens could only choose between the pricey 24-70mm f/2.8 GM or the more affordable 28-70mm kit lens. Now, with the Sony FE 24-105mm F4 OSS, you can have the best of both worlds: exceptional performance at a mid-range price, as well as a well-built, lightweight chassis.
Its 24-105mm focal length range is great for vast panorama photos, as well as street photography and close-up portrait photography. In order to achieve the least amount of fringing and aberrations, the lens has four aspherical elements and three extra-low dispersion elements. However, at 663 grams, the lens is somewhat hefty.
The constant f/4 aperture isn’t spectacular, but it’s adequate for most applications and low-light situations, and it’s even better due to the inbuilt stabilization. When combined with the image stabilization of the Sony a7C, the set will perform well in low light.
With the exception of some little vignetting at the 24mm end, the lens is free of severe defects. It has excellent sharpness, and the direct-drive autofocus motor guarantees that it focuses quickly. You should get this lens if you have the financial means to do so and just require one lens to replace all of your other lenses.