Best All-in-One Lenses for Sony a7C, a7C II, a7CR

Best All-in-One Lenses for Sony a7C. Here is our list of the top recommended E-mount all-around lenses for the Sony a7C mirrorless camera.

Best Sony a7C All-in-One Lenses

The Sony a7C is the world’s smallest and lightest full-frame camera, offering all of the power and performance of a full-frame camera in a body that is more equivalent to an APS-C camera. The Sony a7C is available now. The Sony a7C is equipped with a 24.2MP Exmor R BSI CMOS sensor and a BIONZ X image processing engine, which allows it to achieve high sensitivity and low noise with an impressive ISO range of 50 to 204800 and a massive 15-stop dynamic range.

It is also capable of fast continuous shooting at up to 10 frames per second at full resolution with full-time AF/AE when using either a mechanical shutter or an electronic shutter, and it supports UHD 4K. It also contains a Fast Hybrid AF system, which employs 693 phase-detection points and 425 contrast detection regions to provide rapid, intelligent, and precise focusing performance and support for Real-time Eye AF and Tracking Autofocus technology. In addition, in-body image stabilization has significantly reduced size while maintaining excellent 5-step stabilization.

This allows you to take photographs and film videos without worrying about camera wobble, regardless of the connected lens, and without needing a tripod or gimbal. As a result, the Sony a7C is intended for photographers and videographers who want full-frame quality and performance but also want a small, lightweight camera that they can carry with them everywhere they go and use for any image or video creation.

Best All-in-One Lenses for Sony a7C [Buying Guide]

Here are some things to consider when choosing an all-in-one lens for the Sony a7C:

Focal Length Range: Look for lenses with a focal length that covers the broadest possible range, from wide-angle to telephoto. This will allow you to shoot landscapes, portraits, and everything.

Maximum Aperture: Choose a lens with a maximum aperture of f/2.8 or broader for optimal low-light performance and shallow depth-of-field effects.

Image Stabilization: Look for lenses with built-in optical image stabilization to reduce camera shake and capture sharper images.

Autofocus: Choose a lens with a fast and accurate autofocus system to ensure you can capture sharp photos and videos.

Weather-Sealing: Consider lenses with dust and moisture-resistant construction to protect them from the elements and provide durability for outdoor shooting.

Size and Weight: Given the compact size of the Sony a7C, choosing a lightweight lens that doesn’t add too much bulk to your setup is essential.

Price: All-in-one lenses can be expensive, so consider your budget when choosing a lens.

Some popular all-in-one lenses for the Sony a7C include the Sony FE 24-240mm f/3.5-6.3 OSS, Tamron 28-200mm f/2.8-5.6 Di III RXD, and Sony FE 24-240mm f/4-6.3 OSS. These lenses offer a wide zoom range and are lightweight and versatile, making them ideal for travel and everyday photography.

1. Tamron 28-200mm f/2.8-5.6 Di III RXD

Focal Length: 28-200mm

Maximum Aperture: f/2.8-5.6

Minimum Aperture: f/16-32

Lens Mount: Sony E

Format Compatibility: Full-Frame

Angle of View: 75°23′ – 12°21′

Minimum Focus Distance: 7.5″ / 19 cm

Maximum Magnification Ratio: 0.32x

Optical Design: 18 Elements in 14 Groups

Diaphragm Blades: 7, Rounded

Focus Type: Autofocus

Image Stabilization: Yes

Filter Size: 67 mm

Dimensions (ø x L): 74 x 117 mm

Weight: 575 g

Pros:

• Offers a versatile 28-200mm focal length range, suitable for a wide range of photography situations.
• Features a fast maximum aperture of f/2.8 at the wide end of the zoom range, providing good low-light performance and shallow depth-of-field effects.
• Compact and lightweight design, making it a good option for travel or everyday use.
• Uses an RXD stepping motor for fast and quiet autofocus performance, suitable for photo and video use.
• Compatible with full-frame Sony E-mount cameras.
• Includes moisture-resistant construction, providing some protection against the elements.

Cons:

• The aperture narrows to f/5.6 at the long end of the zoom range, which may limit low-light performance and depth-of-field control in certain situations.
• Image quality may not be as high as more specialized lenses, particularly at the edges of the frame.
• No optical image stabilization may limit handheld shooting performance in some situations.
• It may experience chromatic aberration or distortion, which may require post-processing corrections.

With a maximum aperture of F2.8 at the 28mm wide-angle end, the Tamron 28-200mm F2.8-5.6 is the first all-in-one zoom lens in the world to achieve this feat. With a wide range of focal lengths spanning 28 to 200mm, this Tamron lens is suited for various photographic situations, from wide-angle landscape photography to close-up and compressive compositions at telephoto. Furthermore, the fast maximum aperture of f/2.8 produces stunning image quality, contributing to the camera’s ability to be used for various photography applications.

The Tamron 28-200mm f/2.8-5.6 optical architecture comprises 18 elements in 14 groups, with LD (Low Dispersion) and XLD (eXtra Low Dispersion) lens elements used in the lens design. They are carefully organized to assist in minimizing and suppressing chromatic aberrations, resulting in high-quality pictures with edge-to-edge clarity that are crisp and clear from start to finish. At its widest focal length, the lens has a Minimum Object Distance (MOD) of 0.19m and a magnification ratio of 1:3.1, making it ideal for close-up photography.

At its most extended focal length, the lens has a Minimum Object Distance (MOD) of 0.8m and a magnification ratio of 1:3.8. It has a height of 4.6 inches and a weight of 20.3 ounces. It can accommodate filters with a diameter of 67mm. The lens’s tiny size, lightweight, and affordable price made it instantly popular with photographers all over the world…

2. Sony FE 24-240mm f/3.5-6.3 OSS

• Focal Length: 24-240mm
• Maximum Aperture: f/3.5-6.3
• Minimum Aperture: f/22-40
• Lens Mount: Sony E
• Format Compatibility: Full-Frame
• The angle of View: 84°-10°
• Minimum Focus Distance: 1.64′ / 50 cm
• Maximum Magnification Ratio: 0.27x
• Optical Design: 17 Elements in 12 Groups
• Diaphragm Blades: 7, Rounded
• Focus Type: Autofocus
• Image Stabilization: Yes
• Filter Size: 72 mm
• Dimensions (ø x L): 80.5 x 118.5 mm
• Weight: 780 g

Pros:

• Offers a comprehensive 24-240mm focal length range, providing versatility for a wide range of photography situations.
• Compact and lightweight design, making it a good option for travel or everyday use.
• Includes optical image stabilization, providing up to 5 stops of correction for camera shake.
• It uses a dust and moisture-resistant design, providing some protection against the elements.
• Compatible with full-frame Sony E-mount cameras.
• Includes a relatively affordable price compared to more specialized lenses.

Cons:

• The aperture narrows to f/6.3 at the long end of the zoom range, which may limit low-light performance and depth-of-field control in certain situations.
• Image quality may not be as high as more specialized lenses, particularly at the edges of the frame.
• No weather sealing, which may limit use in challenging weather conditions.
• It may experience chromatic aberration or distortion, which may require post-processing corrections.

The Sony FE 24-240mm f/3.5-6.3 OSS lens, capable of covering everything from wide-angle to telephoto in a single compact form factor, is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events. It is ideal for landscape, snapshots, portraits, and travel photography, and it is particularly well suited for landscape photography.

With the ability to change lenses quickly from wide-angle to telephoto without swapping lenses, more fleeting moments that make for beautiful photographs will be caught. With an aperture ranging from f/3.5 to f/6.3, the lens can be kept as small and light as possible while providing an impressive 10x zoom range. Additionally, it is equipped with a linear autofocus motor and an internal focus architecture that allows for quick, accurate, and dependable focusing.

Built-in Optical SteadyShot picture stabilization, which lessens the impact of camera shake, is another advantage of the camera. This is especially true at longer lens lengths. The lens is also dust and moisture-resistant, allowing it to be used under less-than-ideal operating situations. Overall, it is a reasonably priced and highly convenient option for those on a tight budget and an acceptable answer for those on a tight budget.

3. Sigma 24-70mm f/2.8 AF DG DN Art

• Focal Length: 24-70mm
• Maximum Aperture: f/2.8
• Minimum Aperture: f/22
• Lens Mount: Sony E, Leica L
• Format Compatibility: Full-Frame
• The angle of View: 84.1°-34.3°
• Minimum Focus Distance: 7.1″ / 18 cm
• Maximum Magnification Ratio: 0.34x
• Optical Design: 19 Elements in 15 Groups
• Diaphragm Blades: 11, Rounded
• Focus Type: Autofocus
• Image Stabilization: No
• Filter Size: 82 mm
• Dimensions (ø x L): 87.8 x 122.9 mm
• Weight: 835 g

Pros:

• Offers a versatile 24-70mm focal length range, suitable for a wide range of photography situations.
• Fast maximum aperture of f/2.8, providing good low-light performance and shallow depth-of-field effects.
• High-quality optical design with 19 elements in 15 groups, including three aspherical and 4 SLD elements, produces sharp, clear images with minimal distortion.
• Uses a stepping motor for fast and quiet autofocus performance, suitable for photo and video use.
• Includes a rugged and durable construction, with a brass bayonet mount to withstand frequent use.
• Compatible with both Sony E and Leica L mounts.

Cons:

• No optical image stabilization may limit handheld shooting performance in some situations.
• It is relatively heavy at 835g, making it less portable than other lenses.
• Large 82mm filter sizes can be more expensive than smaller filters.

The Sigma 24-70mm f/2.8 ART lens is an outstanding must-have for every photographer’s collection. It’s my go-to lens for shooting trip stuff, and I also use it for portraiture. In addition, it is built for full-frame Sony cameras, so if you want to upgrade to one in the future, the Sigma 24-70mm f/2.8 ART is an excellent pick.

The Sigma 24-70mm f/2.8 ART lens still captures fantastic photos. Sharpness and contrast are excellent across the focal range, even when shooting at the widest aperture possible. This makes it possible to capture detailed wide-angle landscape images.

Furthermore, this Sigma lens is incredibly adaptable, which means you can use it not only for shooting landscapes but also for taking gorgeous portraits with a bokeh effect, owing to the high aperture that goes down to F/2.8 and the wide range of focal lengths available.

This lens’s quiet and lightning-fast autofocus system is another outstanding characteristic. This accuracy lets the photographer catch moving subjects without delay since the autofocus is approximately 100 percent precise. Children, moving animals, and city life are all good subjects for this type of photography.

Aside from that, the Sigma is equipped with in-built image stabilization, which is particularly useful when shooting in low light conditions, when higher ISO settings or a slower shutter speed are required. As a result of this feature, Sigma is an excellent low-light performer.

The Sigma 24-70mm f/2.8 ART is one of the most excellent Sigma all-rounder lenses for Sony full-frame digital cameras. Because of its versatility, superior quality, and fast focusing, this all-around lens is one of the best all-in-one lenses for the Sony a7c market.

4. Tamron 28-75mm F/2.8 Di III RXD

• Focal Length: 28-75mm
• Maximum Aperture: f/2.8
• Minimum Aperture: f/22
• Lens Mount: Sony E
• Format Compatibility: Full-Frame
• The angle of View: 75°23′-32°11′
• Minimum Focus Distance: 7.5″ / 19 cm
• Maximum Magnification Ratio: 0.34x
• Optical Design: 15 Elements in 12 Groups
• Diaphragm Blades: 9, Rounded
• Focus Type: Autofocus
• Image Stabilization: No
• Filter Size: 67 mm
• Dimensions (ø x L): 73 x 117.8 mm
• Weight: 550 g

Pros:

• Offers a versatile 28-75mm focal length range, suitable for a wide range of photography situations.
• Fast maximum aperture of f/2.8, providing good low-light performance and shallow depth-of-field effects.
• Compact and lightweight design, making it a good option for travel or everyday use.
• High-quality optical design with 15 elements in 12 groups, including low-dispersion and hybrid aspherical elements, produces sharp, clear images with minimal distortion.
• Uses an RXD stepping motor for fast and quiet autofocus performance, suitable for photo and video use.
• Compatible with full-frame Sony E-mount cameras.

Cons:

• No optical image stabilization may limit handheld shooting performance in some situations.
• No weather sealing, which may limit use in challenging weather conditions.
• It may experience chromatic aberration or distortion, which may require post-processing corrections.
• Shorter 75mm maximum focal length compared to some other 24-70mm lenses.

Especially when zoomed in to the maximum, the Tamron 28-75mm F/2.8 creates photos of exceptional clarity and contrast, even when used with a wide-angle lens. Because of the high-quality glass used in constructing this lens, common lens aberrations like ghosting, chromatic aberration, and flare are minimized to a bare minimum. The Tamron lens is prone to slight color fringing and vignetting in the corners of the frame. However, these may be readily eliminated using the in-camera menu or editing tools such as Lightroom or Photoshop Elements.

While the Sony-owned FE 28-70mm F/3.5-5.6 lens is an intense competition, this Tamron lens maintains a consistent aperture across the zoom range. This fantastic feature enables more diverse use, such as in portrait shooting, where it is beneficial. Moreover, the lens’s fast aperture lets you capture portraits with a nicely defocused backdrop while shooting in low-light conditions.

With its fast aperture and decent zoom range – covering wide-angle to short telephoto – this lens is a fantastic all-arounder that isn’t going to break the budget.

One of the minor drawbacks of this lens is the lack of in-body image stabilization, which is not a problem owing to the Sony a7c specifications, which have a 5-axis image stabilization system.

The Tamron 28-75mm F/2.8 is a fantastic value-for-money lens for the Sony a7 series. It’s impossible to go wrong with Tamron if you’re searching for a flexible lens to capture the high-quality landscape and portrait photographs at an affordable price.

5. Sony FE 24-70mm f/2.8

• Focal Length: 24-70mm
• Maximum Aperture: f/2.8
• Minimum Aperture: f/22
• Lens Mount: Sony E
• Format Compatibility: Full-Frame
• Angle of View: 84°-34°
• Minimum Focus Distance: 1.24′ / 38 cm
• Maximum Magnification Ratio: 0.24x
• Optical Design: 18 Elements in 13 Groups
• Diaphragm Blades: 9, Rounded
• Focus Type: Autofocus
• Image Stabilization: No
• Filter Size: 82 mm
• Dimensions (ø x L): 87.6 x 136 mm
• Weight: 886 g

Pros:

• Offers a versatile 24-70mm focal length range, suitable for a wide range of photography situations.
• Fast maximum aperture of f/2.8, providing good low-light performance and shallow depth-of-field effects.
• High-quality optical design with 18 elements in 13 groups, including aspherical, ED, and Super ED elements, produces sharp, clear images with minimal distortion.
• Uses a Direct Drive SSM (Super Sonic wave Motor) for fast and quiet autofocus performance, suitable for photo and video use.
• Compatible with full-frame Sony E-mount cameras.
• Includes a rugged and durable construction, with dust and moisture resistance, to withstand frequent use.
• Includes a customizable focus hold button, allowing the user to stop autofocus at a specific point.

Cons:

• No optical image stabilization may limit handheld shooting performance in some situations.
• It is relatively heavy at 886g, making it less portable than other lenses.
• Large 82mm filter sizes can be more expensive than smaller filters.
• Higher price point compared to some other 24-70mm lenses.

It is typical for professional photographers to purchase several prime lenses to satisfy the demands of their trade.

A wide-angle, a portrait lens (see out the finest Sony portrait lenses), and a mid-range macro lens are all included in one compact package with the Sony FE 24-70mm F2.8 GM lens. This makes it a viable option among the finest lenses for the Sony A7C camera on a purely budgetary basis.

When you consider the three lenses it covers, you get more than you would receive by purchasing three prime lenses separately. This lens is popular with everyone, from wedding photographers to journalists.

The Sony FE 24-70mm F2.8 GM lens is a one-of-a-kind optical design. The ED and Super ED glass components produce results of exceptionally high quality. With its two aspherical parts, it was also able to reduce aberration. A nano AR coating allows higher light transmission and enhances clarity and overall contrast.

Construction-wise, you get a dust and moisture-resistant build that allows you to utilize it in various settings and circumstances. However, some customers have reported that the zoom rubber comes off when used in a hot climate.

6. Sony FE 24-105mm F4 G OSS

• Focal Length: 24-105mm
• Maximum Aperture: f/4
• Minimum Aperture: f/22
• Lens Mount: Sony E
• Format Compatibility: Full-Frame
• Angle of View: 84°-23°
• Minimum Focus Distance: 1.25′ / 38 cm
• Maximum Magnification Ratio: 0.31x
• Optical Design: 17 Elements in 14 Groups
• Diaphragm Blades: 9, Rounded
• Focus Type: Autofocus
• Image Stabilization: Yes
• Filter Size: 77 mm
• Dimensions (ø x L): 3.28 x 4.46″ / 83.4 x 113.3 mm
• Weight: 23.4 oz / 663 g

Pros:

• Offers a versatile 24-105mm focal length range, suitable for a wide range of photography situations.
• Constant maximum aperture of f/4, providing consistent performance throughout the zoom range.
• High-quality optical design with 17 elements in 14 groups, including aspherical and ED elements, produces sharp, clear images with minimal distortion.
• Includes optical image stabilization, providing up to 5 stops of correction for camera shake.
• Uses a Direct Drive SSM (Super Sonic wave Motor) for fast and quiet autofocus performance, suitable for photo and video use.
• Compatible with full-frame Sony E-mount cameras.
• Includes a rugged and durable construction, with dust and moisture resistance, to withstand frequent use.

Cons:

• No option for a wider aperture, which may limit low-light performance and shallow depth-of-field effects in some situations.
• It is relatively heavy at 663g, making it less portable than other lenses.
• Large 77mm filter size can be more expensive than smaller filters.
• Higher price point compared to some other 24-105mm lenses.

Photography enthusiasts wanting a Sony lens could choose between the pricey 24-70mm f/2.8 GM or the more affordable 28-70mm kit lens. With the Sony FE 24-105mm F4 OSS, you can have exceptional performance at a mid-range price and a well-built, lightweight chassis.

Its 24-105mm focal length range is excellent for vast panorama photos, street photography, and close-up portrait photography. The lens has four aspherical elements and three extra-low dispersion elements to achieve the least fringing and aberrations. However, at 663 grams, the lens is somewhat hefty.

The constant f/4 aperture isn’t spectacular, but it’s adequate for most applications and low-light situations, and it’s even better due to the inbuilt stabilization. When combined with the image stabilization of the Sony a7C, the set will perform well in low light.
Except for some little vignetting at the 24mm end, the lens is free of severe defects. It has excellent sharpness, and the direct-drive autofocus motor guarantees that it focuses quickly. If you have the financial means
to do so, you should get this lens if you require one
lens to replace all your other lenses.

Best All-in-One Lenses for Sony a7C [Comparison]

Here is a comparison table for the six lenses:

Lens Model	Focal Length Range	Maximum Aperture	Image Stabilization	Autofocus Type	Weather Sealing	Filter Size	Weight
Tamron 28-200 F/2.8-5.6 Di III	28-200mm	f/2.8-5.6	No	RXD Stepping	Yes	67mm	575g
Sony FE 24-240mm f/3.5-6.3 OSS	24-240mm	f/3.5-6.3	Yes	Direct Drive SSM	No	72mm	780g
Sigma 24-70mm F2.8 DG DN Art	24-70mm	f/2.8	No	Stepping Motor	No	82mm	835g
Tamron 28-75mm F/2.8 Di III RXD	28-75mm	f/2.8	No	RXD Stepping	No	67mm	550g
Sony FE 24-70mm F2.8 G	24-70mm	f/2.8	No	Direct Drive SSM	Yes	82mm	886g
Sony FE 24-105mm F4 G OSS	24-105mm	f/4	Yes	Direct Drive SSM	Yes	77mm	663g

The table compares the lenses’ specifications, including their focal length range, maximum aperture, image stabilization, autofocus type, weather sealing, filter size, and weight.

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